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<para>
Fairy Legends and Traditions
by Thomas Crofton Croker
This page copyright 2001 Blackmask Online.

http://www.blackmask.com
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<markupblurb>
<para>
This document was prepared with borrowed Blackmask Online etext for Arthur's Classic Novels.  mail@arthurwendover.com, June 18, 2002. As of this date are included unicode 8-bit characters (#160 to #255 inclusive) encoding="UTF-8".
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<acknowledge>
This document was prepared with borrowed Blackmask Online etext for Arthur's Classic Novels. XML markup by Arthur Wendover. June 18, 2002.
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<meta id="Description" content="This is the etext version of the book Fairy Legends and Traditions  by Thomas Crofton Croker, taken from the original etext farilt10.txt." />



<frontmatter>
<titlepage>
<title>Fairy Legends and Traditions</title>
<author>by Thomas Crofton Croker</author>
</titlepage>
<toc>
<title>Contents</title>
<list><item>
Dedication to Dowager Lady Chatterton </item><item>
The Legend of Knocksheogowna </item><item>
The Legend of Knockfierna </item><item>
The Legend of Knockgrafton </item><item>
The Priest </item><item>
The Young Piper </item><item>
The Brewery of Egg-Shells </item><item>
The Changeling </item><item>
The Two Gossips </item><item>
The Legend of Bottle Hill </item><item>
The Confessions of Tom Bourke </item><item>
Fairies Or No Fairies </item><item>
The Haunted Cellar </item><item>
Seeing is Believing </item><item>
Master and Man </item><item>
The Field of Boliauns </item><item>
The Little Shoe </item><item>
Legends of the Banshee </item><item>
Legends of the Banshee </item><item>
The Spirit Horse </item><item>
Daniel O Rourke </item><item>
The Crookened Back </item><item>
The Haunted Castle </item><item>
Fior Usga </item><item>
Cormac and Mary </item><item>
The Legend of Lough Gur </item><item>
The Enchanted Lake </item><item>
The Legend of O'Donoghue </item><item>
The Lady of Gollerus </item><item>
Flory Cantillon's Funeral </item><item>
The Lord of Dunkerron </item><item>
The Wonderful Tune </item><item>
The Wonderful Tune </item><item>
Hanlon's Mill </item><item>
The Death Coach </item><item>
The Headless Horseman </item><item>
Diarmid Bawn, The Piper </item><item>
Teigue of the Lee </item><item>
Ned Sheehy's Excuse </item><item>
The Lucky Guest </item><item>
Dreaming Tim Jarvis </item><item>
Rent-Day </item><item>
Linn-Na-Payshtha </item><item>
The Legend of Cairn Thierna </item><item>
The Rock of the Candle </item><item>
The Giant's Stairs </item><item>
Clough na Cuddy </item><item>
Letter from Sir Walter Scott to the author of the Irish Fairy Legends </item>
</list></toc>
<preface>
<chapheader>
<title>Dedication to Dowager Lady Chatterton </title>
</chapheader>
<para>
To The Dowager Lady Chatterton,</para><para>
Castle Mahon.
</para>
<para>
THEE, Lady, would I lead through Fairy-land 
(Whence cold and doubting reasoners are exiled), 
A land of dreams, with air-built castles piled; 
The moonlight SHEFROS there, in merry band 
With arful CLURICAUNE, should ready stand 
To welcome thee -- Imagination's child! 
Till on thy ear would burst so sadly wild 
The BANSHEE'S shriek, who points with wither'd hand 
In the dim twilight should the PHOOKA come, 
Whose dusky form fades in the sunny light, 
That opens clear calm LAKES upon thy sight, 
Where blessed spirts dwell in endless bloom. 
I know thee, Lady -- thou wilt not deride 
Such Fairy Scenes. -- Then onward with thy Guide.
</para>
<para>
<emph>T. Crofton Croker</emph>
</para>
</preface>
</frontmatter>

<bookbody>
<chapter>
<chapheader>
<title>The Legend of Knocksheogowna</title>
</chapheader>
<para>
<title>I</title>
</para>
<para>
In Tipperary is one of the most singularly shaped hills in the world. It has got a peak at the top like a conical nightcap thrown carelessly over your head as you awake in the morning. On the very point is built a sort of lodge, where in the' summer the lady who built it and her friends used to go on parties of pleasure; but that was long after the days of the fairies, and it is, I believe, now deserted.
</para>
<para>
But before lodge was built, or acre sown, there was close to the head of this bill a large pasturage, where a herdsman spent his days and nights among the herd. The spot had been an old fairy ground, and the, good people were angry that the scene of their light and airy gambols should be trampled by the rude hoofs of bulls- and cows. The lowing of the cattle sounded sad in their ears, and the chief of the fairies of the hill determined in person to drive away the new comers; and the way she thought of was this. When the harvest nights came on, and the moon shone bright and brilliant over the hill, and the cattle were lying down hushed and quiet, and the herdsman, wrapt in his mantle, was musing with his heart gladdened by the glorious company of the stars twinkling above him, she would come and dance before him, -- now in one shape -- now in another, but all ugly and frightful to behold. One time she would be a great horse, with the wings of an eagle, and a tail like a dragon, hissing loud and spitting fire. Then in a moment she would change into a little man lame of a leg, with a bull's head, and a lambent flame playing round it. Then into a great ape, with duck's feet and a turkey cock's tail. But I should be all day about it were I to tell you all the shapes she took. And then she would roar, or neigh, or hiss, or bellow, or howl, or hoot, as never yet was roaring, neighing, hissing, bellowing, howling, or hooting, heard in this world before or since. The poor herdsman would cover his face, and call on all the saints for help, but it was no use. With one puff of her breath she would blow away the fold of his great Coat, let him hold it never so tightly over his eyes, and not a saint in heaven paid him the slightest attention. And to make matters worse, he never could stir; no, nor even shut his eyes, but there was obliged to stay, held by what power he knew not, gazing at these terrible sights until the hair of his head would lift his hat half a foot over his crown, and his teeth would be ready to fall out from chattering. But the cattle would scamper about mad, as if they were bitten by the fly; and this would last until the sun rose over the hill.
</para>
<para>
The poor cattle from want of rest were pining away, and food did them no good; besides, they met with accidents without end. Never a night passed that some of them did not fall into a pit, and get maimed, or may be, killed Some would tumble into a river and be drowned: in a word, there seemed never to be an end of the accidents. But what made the matter worse, there could not be a herdsman got to tend the cattle by night. One visit from the fairy drove the stoutest-hearted almost mad. The owner of the ground did not know what to do. He offered double, treble, quadruple wages, but not a man could be found for the sake of money to go through the horror of facing the fairy. She rejoiced at the successful issue of her project, and continued her pranks. The herd gradually thinning, and no man daring to remain on the ground, the fairies came back in numbers, and gambolled as merrily as before, quaffing dew-drops from acorns, and spreading their feast on the heads of capacious mushrooms.
</para>
<para>
What was to be done? the puzzled farmer thought in vain. He found that his substance was daily diminishing, his people terrified, and his rent day coming round. It is no Wonder that he looked gloomy, and walked mournfully down the road. Now in that part of the world dwelt a man of the name of Larry Hoolahan, who played on the pipes better than any other player within fifteen parishes. A roving dashing blade was Larry, and feared nothing. Give him plenty of liquor, and he would defy the devil. He would face a mad bull, or fight single-handed against a fair. In one of his gloomy walks the farmer met him, and on Larry's asking the cause of his down looks, he told him all his misfortunes. &quot; If that is all ails you,&quot; said Larry, &quot;make your mind easy. Were there as many fairies on Knocksheogowna as' there are potato blossoms in Eliogurty, I would face them. It would be a queer thing, indeed, if I, who never was afraid of a proper man, should turn my back upon a brat of a fairy not the bigness of one's thumb.&quot; &quot; Larry,&quot; said the farmer, &quot; do not talk so bold, for you know not who is hearing you; but, if you make your words good, and watch my herds for a week on the top of the mountain, your hand shall be free of my dish till the sun has burnt itself down to the bigness of a farthing rushlight.&quot;
</para>
<para>
The bargain was struck, and Larry went to the hill-top, when the' moon began to peep over the brow. He had been regaled at the farmer's house, and was bold with the extract of barley-corn. So he took his seat on a big stone under a hollow of the bill, with his back to the wind, and pulled out his pipes. He had not played long when the voice of the fairies was heard upon the blast, like a slow stream of music. Presently they burst out into a loud laugh, and Larry could plainly hear one say, &quot;What! another man upon the fairies' ring? Go to him, queen, and make him repent his rashness;&quot; and they flew away. Larry felt them pass by his face as they flew like a swarm of midges; and, looking up hastily, he saw between the moon and him a great black cat, standing on the very tip of its claws, with its back up, and mewing with the voice of a water-mill. Presently it swelled up towards the sky, and, turning round on its left hind leg, whirled till it fell to the ground, from which it started up in the shape of a salmon, with a cravat round its neck, and a pair of new top boots. &quot; Go on, jewel,&quot; said Larry; &quot;if you dance, I'll pipe ;&quot; and he struck up. So she turned into this, and that, and the other, but still Larry played on, as he well knew how. At last she lost patience, as ladies will do when you do not mind their scolding, and changed herself into a calf, milk-white as the cream of Cork, and with eyes as mild as those of the girl I love. She came up gentle and fawning, in hopes to throw him off his guard by quietness, and then to work him some wrong. But Larry was not so deceived; for when she came up, he, dropping his pipes, leaped upon her back.
</para>
<para>
Now from the top of Knocksheogowna, as you look westward to the broad Atlantic, you will see the Shannon, queen of rivers, &quot; spreading like a sea, and running on in gentle course to mingle with the ocean through the fair city of Limerick. It on this night shone under the moon, and looked beautiful from the distant hill. Fifty boats were gliding up and down on the sweet current, and the song of the fishermen rose gaily from the shore. Larry, as I said before, leaped upon the back of the fairy, and she, rejoiced at the opportunity, sprung from the hill-top, and bounded clear, at one jump, over the Shannon, flowing as it was just ten miles from the mountain's base. It was done in a second, and when 8he alighted on the distant bank, kicking up her heels, she flung Larry on the soft turf. No sooner was he thus planted, than he looked her straight in the face, and scratching his head, cried out, &quot;By my word, well done! that was not a bad leap for a calf!&quot;
</para>
<para>
She looked at him for a moment, and then assumed her own shape. &quot;Laurence,&quot; said she, &quot;you are a bold fellow; will you come back the way you went?&quot; &quot;And that's what I will,&quot; said he, &quot;if you let me.&quot; So changing to a calf again, again Larry got on her back, and at another bound they were again upon the top of Knocksheogowna. The fairy once more resuming her figure, addressed him: &quot;You have shown so much courage, Laurence,&quot; said she, &quot;that while 'you keep herds on this hill you never shall be molested by me or mine. The day dawns, go down to the farmer, and tell him this; and if any thing I can do may be of service to you, ask and you shall have it.&quot; She vanished accordingly; and kept her word in never visiting the hill during Larry's life: but he never troubled her with requests. He piped and drank at the farmer's expense, and roosted in his chimney corner, occasionally casting an eye to the flock. He died at last,' and is buried in a green valley of pleasant Tipperary: but whether the fairies returned to the hill of Knocksheogown after his death is more than I can say.
</para>
<footnote>
*Knocksheogowna. Signifes &quot;The Hill of the Fairy Calf&quot;
</footnote>
</chapter>

<chapter>
<chapheader>
<title>The Legend of Knockfierna</title>
</chapheader>
<footnote>
[Kockfierna: Called by the people of the country 'Knock Dhoinn Firinne,' the mountain of Donn of Truth. This mountain is very high, and may be seen for several miles round; and when people are desirous to know whether or not any. day will rain, they look at the top of Knock Firinn, and if they see a vapour or mist there, they immediately conclude that rain will soon follow, believing that Donn (the lord or chief) of that mountain and his aerial assistants are collecting the clouds, and that he holds them there for some short time, to warn the people of the approaching rain. As the appearance of mist on that mountain in the morning is considered an infallible sign that, that day will be rainy, Donn is called 'Dona Firinne,' Donn of Truth. &quot;- Mr. Edward O'Reilly]
</footnote>
<para>
<title>II</title>
</para>
<para>
<emph>IT</emph> is a very good thing not to be any way in dread of the fairies, for without doubt they have then less power over a person ; but to make too free with them, or to disbelieve in them altogether, is as foolish a thing as man, woman, or child can do.
</para>
<para>
It has been truly said, that &quot;good manners are no burthen,&quot; and that &quot; civility costs nothing;&quot; but there are some people foolhardy enough to disregard doing a civil thing, which, whatever they may think, can never harm themselves or any one else, and who at the same time will go out of their way for a bit of mischief, which never can serve them; but sooner or later they will come to know better, as you shall hear of Carroll O'Daly, a strapping young fellow up out of Connaught, whom they used to call, in his own country, &quot; Devil Daly.&quot;
</para>
<para>
Carroll O'Daly used to go roving about from one place to another, and the fear of nothing stopped him; he would as soon pass an churchyard or a regular fairy ground, at any hour of the night, as go from one room into another without ever making the sign of the cross, or saying, &quot; Good luck attend you, gentlemen.&quot;
</para>
<para>
It so happened that he was once journeying, in the county of Limerick, towards &quot; the Balbec of Ireland,&quot; the venerable town of Kilmallock; and just at the foot of Knockfierna he overtook a respectable4ooking man jogging along upon a white pony. The night wag coming on, and they rode side by side for some time, without much conversation passing between them, further than saluting each other very kindly; at last, Carroll O'Daly asked his companion how far he was going?
</para>
<para>
Not far your way,&quot; said the farmer, for such his appearance bespoke him; &quot; I'm only going to the top of this hill here.&quot;
</para>
<para>
&quot;And what might take you there,&quot; said O'Daly, &quot;at this time of the night?&quot;
</para>
<para>
&quot;Why then,&quot; replied the farmer,&quot; if you want to know; 'tis the good people.&quot;
</para>
<para>
The fairies, you mean,&quot; said O'Daly.
</para>
<para>
&quot;Whist I whist!&quot; said his fellow-traveller, &quot; or you may be sorry for it;&quot; and he turned his pony off the road they were going towards a little path which led up the side of the mountain, wishing Carrol O'Daly good night and a safe journey.
</para>
<para>
That fellow,&quot; thought Carroll, &quot; is about no good this blessed night, and I would have no fear of swearing wrong if I took my Bible oath, that it is something else beside the fairies, or the good people, as he calls them, that is taking him up the mountain at this hour. The fairies!&quot; he repeated, &quot; is it for a well shaped man like him to be going after little chaps like the fairies! to be sure some say there are such things, and more say not; but I know this, that never afraid would I be of a dozen of them, ay, of two dozen, for that matter, if they are no bigger than what I hear tell of.&quot;
</para>
<para>
Carroll O'Daly, whilst these thoughts were passing in his mind, had fixed his eyes steadfastly on the mountain, behind which the full moon was rising majestically. Upon an elevated point that appeared darkly against the moon's disk, he beheld the figure of a man leading a pony, and he had no doubt it was that of the farmer with whom he had just parted company.
</para>
<para>
A sudden resolve to follow flashed across the mind of O'Daly with the speed of lightning: both his courage and curiosity had been worked up by his cogitations to a pitch of chivalry; and, muttering &quot;Here's after you, old boy!&quot; he dismounted from his horse, bound him to an old thorn tree, and then commenced vigorously ascending the mountain.
</para>
<para>
Following as well as he could the direction taken by the figures of the man and pony, he pursued his way, occasionally guided by their partial appearance: and, after toiling nearly three hours over a rugged and sometimes swampy path, came to a green spot on the top of the mountain, where he saw the white pony at full liberty grazing as quietly as may be. O'Daly looked around for the rider, but he was nowhere to be seen; he, however, soon discovered close to where the pony stood an opening in the mountain like the mouth of a pit, and he remembered having heard, when a child, many a tale about the &quot;Poul-duve,&quot; or Black Hole of Knockfierna; how it was the entrance to tbe fairy castle which was within the mountain; and how a man whose name was Ahern, a land-surveyor in that part of the country, had once attempted to fathom it with a line, and had been drawn down into it and was never again heard of; with many other tales of the like nature.
</para>
<para>
&quot;But,&quot; thought O'Daly, &quot;these are old woman's stories; and since I've come up so far, I'll just knock at the castle door and see if the fairies are at home.&quot;
</para>
<para>
No sooner said than done; for, seizing a large stone, as big, ay, bigger than his two hands, he flung it with all his strength down into the Poul-duve of Knockfierna. He heard it bounding and tumbling about from one rock to another with a terrible noise, and he leant his head over to try and hear when it would reach the bottom, -- and what should the very stone he had thrown in do but come up again with as much force as it had gone down, and gave him such a blow full in the face, that it sent him rolling down the side of Knockfierna, head over heels, tumbling from one crag to another, much faster than he came up. And in the morning Carroll O'Daly was found lying beside his horse; the bridge of his nose broken, which disfigured him for life ; his head all cut and bruised, and both his eyes closed up, and as black as if Sir Daniel Donnelly had painted them for him.
</para>
<para>
Carroll O'Daly was never bold again in riding alone near the haunts of the fairies after dusk; but small blame to him for that; and if ever he happened to be benighted in a lonesome place, he would make the best of his way to his journey's end, without asking questions, or turning to the right or to the left, to seek after the good people, or any who kept company with them.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Legend of Knockgrafton</title>
</chapheader>
<para>
<emph>THERE</emph> was once a poor man who lived in the fertile glen of Aherlow, at the foot of the gloomy Galtee mountains, and he had a great hump on his back: he looked just as if his body had been rolled up and placed upon his shoulders; and his head was pressed down with the weight so much, that his chin, when he. was sitting, used to rest upon his knees for support. The country people were rather shy of meeting him in any lonesome place, for though, poor creature, he was as harmless and as inoffensive as a new-born infant, yet his deformity was so great, that he scarcely appeared to be a human being, and some ill-minded persons had set strange stories about him afloat. He was said to have a great knowledge of herbs and charms; but certain it was that he had a mighty skillful hand in plaiting straw and rushes into bats and baskets., which was the way he made his livelihood.
</para>
<para>
Lusmore, for that was the nickname put upon him by reason of his always wearing a sprig of the fairy cap, or lusmore [<ital>literally, the great herb -- Digitalis purpurea</ital>] in his little straw hat, would ever get a higher penny for his plaited work than any one else, and perhaps that was the reason why some one, out of envy, had circulated the strange stories about him. Be that as it may, it happened that he was returning one evening from the pretty town of Cahir towards Cappagh, and as little Lusmore walked very slowly, on account of the great hump upon his back, it was quite dark when he came to the old moat of Knockgrafton, which stood on the right hand side of his road. Tired and weary was he, and noways comfortable in his own mind at thinking how much farther he had to travel, and that he should be walking all the night; so he sat down under the moat to rest himself, and began looking mournfully enough upon the moon, which,
</para>
<poem><verse><line>
&quot;Rising in clouded majesty, at length, </line><line>
Apparent Queen, unveil'd her peerless light, </line><line>
And o'er the dark her silver mantle threw.&quot;
</line></verse></poem>
<para>
Presently there rose a wild strain of unearthly melody upon the ear of little Lusmore; he listened, and he thought that he had never heard such ravishing music before. It was like the sound of many voices, each mingling and blending with the other so strangely, that they seemed to be one, though all singing different strains, and the words of the song were these: -- 
</para>
<para>
<title>Da Luan, Da </title>
</para>
<poem><verse><line>
Mort, Da Luan, Da Mort, Da Luan, Da Mort, </line><line>
when there would be a moment's pause, and then the round of melody went on again.
</line></verse></poem>
<para>
Lusmore listened attentively, scarcely drawing his breath, lest he might lose the slightest note. He now plainly perceived that the singing was within the moat, and, though at first it had charmed him so much, he began to get tired of hearing the same round sung over and over so often without any change; so availing himself of the pause when the Da Luan, Da More, had been sung three times, he took up the tune and raised it with the words augus Da Gadine, and then went on singing with the voices inside of the moat, Da Luan, Da Mort, finishing the melody, when he pause again came, with a'ugus Da Cadine. [<ital>correctlyy written, Dia Luain, Dia Mairt, agus Dia Ceadaoine, i. e. Monday, Tuesday, and Wednesday.</ital>] 
</para>
<para>
The fairies within Knockgrafton, for the song was a fairy melody, when they heard this addition to their tune, were so much delighted, that with instant resolve it was determined to bring the mortal among them, whose musical skill so far exceeded theirs, and little Lusmore was conveyed into their company with the eddying speed of a whirlwind.
</para>
<para>
Glorious to behold was the sight that burst upon him as he came down through the moat, twirling round and round and round with the lightness of a straw, to the sweetest music that kept time to his motion. The greatest honour was then paid him, for he was put up above all the musicians, and he had servants 'tending upon him, and every thing to his heart's content, and a hearty welcome to all; and in short he was made as much of as if he had been the first man in the land.
</para>
<para>
Presently Lusmore saw a great consultation going forward among the fairies, and, notwithstanding all their civility, he felt very much frightened, until one, stepping out from the rest, came up to him, and said, -
</para>
<poem><verse><line>
&quot;Lusmore! Lusmore! </line><line>
Doubt not, nor deplore, </line><line>
For the hump which you bore </line><line>
On your back is no more! -- </line><line>
Look down on the floor, </line><line>
And view it, Lusmore! &quot;
</line></verse></poem>
<para>
When these words were said, poor little Lusmore felt himself so light, and so happy, that he thought he could have have bounded at one jump over the moon, like the cow in the history of the cat and the fiddle; and he saw, with inexpressible pleasure, his hump tumble down upon the ground from his shoulders. He then tried to lift up his head, and he did so with becoming caution, fearing that he might knock it against the ceiling of the grand hall, where he was; he looked round and round again with the greatest wonder and delight upon every thing, which appeared more and more beautiful; and, overpowered at beholding such a resplendent scene, his head grew dizzy, and his eyesight became dim. At last he fell into a sound sleep, and when he awoke, he found that it was broad daylight, the sun shining brightly, the birds singing sweet; and that he was lying just at the foot of the moat of Knockgrafton; with the cows and sheep grazing peaceably round about him. The first thing Lusmore did, after saying his prayers, was to put his band behind to feel for his hump, but no sign of one was there on his back, and he looked at himself with great pride, for he had now become a well-shaped dapper little fellow; and more than that, he found himself in a full suit of new clothes, which he concluded the fairies had made for him.
</para>
<para>
Towards Cappagh he went, stepping out as lightly, and springing up at every step as if he had been all his life a dancing-master. Not a creature who met Lusmore knew him without his hump, and he had great work to persuade every one that he was the same man -- in truth he was not, so far as outward appearance went.
</para>
<para>
Of course it was not long before the story of Lusmore's hump got about, and a great wonder was made of it. Through the country, for miles round, it was the talk of every one, high and low .
</para>
<para>
One morning as Lusmore was sitting contented enough at his cabin-door, up came an old woman to him, and asked if he could direct her to Cappagh?
</para>
<para>
&quot;I need give you no directions, my good woman, said Lusmore, &quot; for this is Cappagh; and who do you want here?&quot;
</para>
<para>
&quot;I have come, said the woman, &quot;out of Decie's country, in the county of Waterford, looking after one Lusmore, who, I have heard tell, had his hump taken off by the fairies: for there is a son of a gossip of mine has got a hump on him that will be his death; and may be, if he could use the same charm as Lusmore, the hump may be taken off him. And now I have told you the reason of my coming so far: 't is to find out about this charm, if I can.&quot;
</para>
<para>
Lusmore, who was ever a good-natured little fellow, told the woman all the particulars, how he had raised the tune for the fairies at Knockgrafton, how his hump had been removed from his shoulder., and how he had got a new suit of clothes into the bargain.
</para>
<para>
The woman thanked him very much, and then went away quite happy and easy in her own mind. When she came back to her gossip's house, in the county Waterford, she told her every thing that Lusmore had said, and they put the little hump-backed man, who was a peevish and cunning creature from his birth, upon a car, and took him all the way across the country. It was a long journey, but they did not care for that, so the hump was taken from off him; and they brought him, just at nightfall, and left him under the old moat of Knockgrafton.
</para>
<para>
Jack Madden, for that was the humpy man's name, had not been sitting there long when he heard the tune going on within the moat much sweeter than before; for the fairies were singing it the way Lusmore had settled their music for them, and the song was going on: Da Luan, Da Mort, Da Luan, Da Mort, Da Luan, Da Mort, augus Da Cadine, without ever stopping. Jack Madden, who was in a great hurry to get quit of his hump, never thought of waiting until the fairies had done, or watching for a fit opportunity to raise the tune higher again than Lusmore had: so having heard them sing it over seven times without stopping, out he bawls, never minding the time, or the humour of the tune, or how he could bring his words in properly, augus Da Cadine, augus Da Hena [<ital>And Wednesday and Thursday</ital>] , thinking that if one day was good, two were better; and that, if Lusmore had one new suit of clothes given to him, he should have two.
</para>
<para>
No sooner had the words passed his lips than he was taken up and whisked into the moat with prodigious force; and the fairies came crowding round about him with great anger, screeching and screaming, and roaring out, .&quot; who spoiled our tune? who spoiled our tune ? &quot; and one stepped up to him above all the rest, and said -
</para>
<poem><verse><line>
&quot;Jack Madden! Jack Madden! </line><line>
Your words came so bad in </line><line>
The tune we feel glad in; -- </line><line>
This castle you're bad in, </line><line>
That your life we may sadden : </line><line>
Here's two bumps for Jack Madden!&quot;
</line></verse></poem>
<para>
And twenty of the strongest fairies brought Lusmore's hump. and put it down upon poor Jack's back, over his own, where it became fixed as firmly as if it was nailed on with twelvepenny nails, by the best carpenter that ever drove one. Out of their castle they then kicked him, and in the morning when Jack Madden's mother and her gossip came to look after their little man, they found him half dead, lying at the foot of the moat, with the other hump upon his back. Well to be sure, how they did look at each other! but they were afraid to say any thing, lest a hump might be put upon their own shoulders: home they brought the unlucky Jack Madden with them, as downcast in their hearts and their looks as ever two gossips were; and what through the weight of his other bump, and the long journey, he died soon after, leaving, they say, his heavy curse to any one who would go to listen to fairy tunes again.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Priest</title>
</chapheader>
<para>
<emph>IT</emph> is said by those who ought to understand such things, that the good people, or the fairies, are some of the angels who. were turned out of heaven, and who landed on their feet in this world, while the rest of their companions, who had more sin to sink them, went down further to a worse place. Be this as it may, there was a merry troop of the fairies, dancing and playing all manner of wild pranks on a bright moonlight evening towards the end of September. The scene of their merriment was not far distant from Inchegeela, in the west of the county Cork -- a poor village, although it had a barrack for soldiers; but great mountains and barren rocks, like those round about it, are enough to strike poverty into any place however, as the fairies can have every thing they want for wishing, poverty does not trouble them much, and all their care is to seek out unfrequented nooks and places where it is not likely any one will come to spoil their sport.
</para>
<para>
On a nice green sod by the river's side were the little fellows dancing in a ring as gaily as may be, with their red caps wagging about at every bound in the moonshine; and so light were these bounds, that the lobes of dew, although they trembled under their feet, were not disturbed by their capering. Thus did they carry on their gambols, spinning round and round, and twirling and bobbing, and diving and going through all manner of figures, until one of them chirped out,
</para>
<poem><verse><line>
&quot;Cease, cease, with your drumming, </line><line>
Here's an end to our mumming, </line><line>
By my smell </line><line>
I can tell </line><line>
A priest this way is coming!&quot;
</line></verse></poem>
<para>
And away every one of the fairies scampered off as hard as they could, concealing themselves under the green leaves of the lusmore, where, if their little red caps should happen to peep out, they would only look like its crimson bells; and more hid themselves in the hollow of stones, or at the shady side ol' brambles, and others under the bank of the river, and in holes and crannies of one kind or another.
</para>
<para>
The fairy speaker was not mistaken; for along the road, which was within view of the river, came Father Horrigan on his pony, thinking to himself that as it was so late he would make an end of his journey at the first cabin he came to. According to this determination, he stopped at the dwelling of Dermod Leary, lifted the latch, and entered with &quot; My blessing on all here.&quot;
</para>
<para>
I need not say that Father Horrigan was a welcome guest wherever he went, for no man was more pious or better beloved in the country. Now it was a great trouble to Dermod that he had nothing to offer his reverence for supper as a relish to the potatoes which &quot; the old woman,&quot; for so Dermod called his wife, though she was not much past twenty, had down boiling in the pot over the fire; he thought of the net which be had set in the river, but as it had been there only a short time, the chances were against his finding a fish in it. &quot; No matter,&quot; thought Dermod, &quot;there can be no harm in stepping down to try, and may be as I want the fish for the priest's supper that one will be there before me.&quot;
</para>
<para>
Down to the river side went Dermod, and he found in the net as fine a salmon as ever jumped in the bright waters of &quot;the spreading Lee;&quot; but as he was going to take it out, the net was pulled from him, he could not telll how or by whom, and away got the salmon, and went swimming along with the current as gaily as if nothing had happened.
</para>
<para>
Dermod looked sorrowfully at the wake which the fish had left upon the water, shining like a line of silver in the moonlight, and then,. with an angry motion of his right hand, and a stamp of his foot, gave vent to his feelings by muttering, &quot;May bitter bad luck attend you night and day for a blackguard schemer of a salmon, wherever you go! You ought to be ashamed of yourself, if there 's any shame in you, to give me the slip after this fashion And I'm clear in my own mind you'll come to no good, for some kind of evil thing or other helped you -- did I not feel it pull the net against me as strong as the devil himself?&quot;
</para>
<para>
That's not true for you,&quot; said one of the little fairies, who had scampered off at the approach of the priest, coming up to Dermod Leary, with a whole throng of companions at his heels; &quot;there was only a dozen and a half of us pulling against you.&quot;
</para>
<para>
Dermod gazed on the tiny speaker with wonder, who continued, &quot;Make yourself noways uneasy about the priest's supper; for if you will go back and ask him one question from us, there will be as fine a supper as ever was put on a table spread out before him in less than no time.&quot;
</para>
<para>
&quot;I'll have nothing at all to do with you,&quot; replied Dermod, in a tone of determination; and after a pause he added, &quot;I'm much obliged to you for your offer, sir, but I know better than to sell myself to you or the like of you for a supper; and more than that, I know Father Horrigan has more regard for my soul than to wish me to pledge it for ever, out of regard to any thing you could put before him -- so there's an end of the matter.&quot;
</para>
<para>
The little speaker, with a pertinacity not to be repulsed by Dermod's manner, continued, &quot; Will you ask the priest one civil question for us?&quot;
</para>
<para>
Dermod considered for some time, and he was right in doing so, but he thought that no one could come to harm out of asking a civil question. &quot;I see no objection to do that same, gentlemen,&quot; said Dermod; &quot; but I will have nothing in life to do with your supper,. -- mind that.&quot;
</para>
<para>
Then,&quot; said the little speaking fairy, whilst the rest came crowding after him from all parts, &quot;go and ask Father Horrigan to tell us whether our souls will be saved at the last day, like the souls of good Christians; and if you wish us well, bring back word what lie says without delay.&quot;
</para>
<para>
Away went Dermod to his cabin, where he found the potatoes thrown out on the table, and his good woman handing the biggest of them all, a beautiful laughing red apple, smoking like a hard-ridden horse on a frosty night, over to Father Horrigan.
</para>
<para>
Please your reverence,&quot; said Dermod, after some hesitation, &quot; may I make bold to ask your honour one question?&quot;
</para>
<para>
&quot;What may that be?&quot; said Father Horrigan.
</para>
<para>
&quot;Why, then, begging your reverence's pardon for my freedom, it is, If the souls of the good people are to be saved at the last day?&quot;
</para>
<para>
&quot;Who bid you ask me that question, Leary?&quot; said the priest, fixing his eyes upon him very sternly, which Dermod could not stand before at all.
</para>
<para>
&quot;I'll tell no lies about the matter, and nothing in life but the truth,&quot; said Dermod. &quot;It was the good people themselves who sent me to ask the question, and there they are in thousands down on the bank of the river waiting for me to go back with the answer.
</para>
<para>
&quot;Go back by all means,&quot; said the priest, &quot;and tell them, if they want to know, to come here to me themselves, and I'll answer that or any other question they are pleased to ask with the greatest pleasure in life.&quot;
</para>
<para>
Dermod accordingly returned to the fairies, who came swarming round about him to hear what the priest had said in reply; and Dermod spoke out among them like a bold man as lie was: but when they heard that they must go to the priest, away they fled, some here and more there; and some this way and m6re that, whisking by poor Dermod so fast and in such numbers, that he was quite bewildered.
</para>
<para>
When he came to himself; which was not for a long time, back he went to his cabin and ate his dry potatoes along with Father Horrigan, who made quite light of the thing; but Dermod could not help thinking it a mighty hard case that his reverence, whose words had the power to banish the fairies at such a rate, should have no sort of relish to his supper, and that the fine salmon he had in the net should have been got away from him in such a manner.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Young Piper</title>
</chapheader>
<para>
<emph>THERE</emph> lived not long since, on the borders of the county Tipperary, a decent honest couple, whose names were Mick Flanigan andJudy Muldoon. These poor people were blessed, as the saying is, with four children, all boys: three of them were as fine, stout, healthy, good-looking children as ever the sun shone upon; and it was enough to make any Irishman proud of the breed of his countrymen to see them about one o'clock on a fine summer's day standing at their father's cabin door, with their beautiful flaxen hair hanging in curls about their heads, and their cheeks like two rosy apples, and a big laughing potato smoking in their hand. A proud man was Mick of these fine children, and a proud woman, too, was Judy; and reason enough they had to he so. But it was far otherwise with the remaining one, which was the third eldest: he was the most miserable, ugly, ill conditioned brat that ever God put life into: he was so ill-thriven, that he never was able to stand alone, or to leave his cradle; he had long, shaggy, matted, curled hair, as black as any raven; his face was of a greenish yellow colour; his eyes were like two burning coals, and were for ever moving in his head, as if they had the perpetual motion. Before he was a twelvemonth old, he had a mouth full of great teeth; his hands were like kites claws, and his legs were no thicker than the handle of a whip, and about as straight as a reaping-hook: to make the matter worse, he had the gut of a cormorant, and the whinge, and the yelp, and the screech, and the yowl, was never out of his mouth. The neighbours all suspected that he was something not right, particularly as it was observed, when people, as they do in the country, got about the fire, and began to talk of religion and good things, the brat, as he lay in the cradle, which his mother generally put near the fire-place that he might be snug, used to sit up, as they were in the middle of their talk, and begin to bellow as if the devil was in him in right earnest: this, as I said, led the neighbours to think that all was not right, and there was a general consultation held one day about what would he best to do with him. Some advised to put him out on the shovel, but Judy's pride was up at that. A pretty thing indeed, that a child of hers should be put on a shovel and flung out on the dunghill, just like a dead kitten, or a poisoned rat ! no, no, she would not hear to that at all. One old woman, who was considered very skilful and knowing in fairy matters, strongly recommended her to put the tongs in the fire, and heat them red hot, and to take his nose in them, and that that would, beyond all manner of doubt, make him tell what he was, and where he came from (for the general suspicion was, that he had been changed by the good people); but Judy was too soft-hearted, and too fond of the imp, so she would not give into this plan, though every body said she was wrong; and may be she was, but it's hard to blame a mother. Well, some advised one thing, and some another; at last one spoke of sending for the priest, who was a very holy and a very learned man, to see it; to this Judy of course had no objection, but one thing or other always prevented her doing so; and the upshot of the business was, that the priest never saw him.
</para>
<para>
Things went on in the old way for some time longer. The brat continued yelping and yowling, and eating more than his three brothers put together, and playing all sorts of unlucky tricks, for he was mighty mischievous]y inclined; till it happened one day that Tim Carrol, the blind piper, going his rounds, called in and sat down by the fire to have a bit of chat with the woman of the house. So after some time, Tim, who was no churl of his music, yoked on the pipes, and began to bellows away in high style; when the instant he began, the young fellow, who had been lying as still as a mouse in his cradle, sat up, began to grin and twist his ugly face, to swing about his long tawny arms, and to kick out his crooked legs, and to show signs of great glee at the music. At last nothing would serve him but he should get the pipes into his own hands, and to humour him, his mother asked Tim to lend them to the child for a minute. Tim, who was kind to children, readily consented and as Tim had not his sight, Judy herself brought them to the cradle, and went to put them on him; but she had no occasion, for the youth seemed quite up to the business. He buckled on the pipes, set the bellows under one arm, and the bag under the other, worked them both as knowingly as if he had been twenty years at the business, and lilted up Sheela na guira, in the finest style imaginable. All was in astonishment: the poor woman crossed herself. Tim, who, as I said before, was dark, and did not well know who was playing, was in great delight; and when he heard that it was a little prechan not five years old, that had never seen a set of pipes in his life, he wished the mother joy of her son; offered to take him off her hands if she would part with him, swore he was a born piper, a natural genus, and declared that in a little time more, with the help of a little good instruction from himself, there would not be his match in the whole country. The poor woman was greatly delighted to hear all this, particularly as what Tim said about natural genus quieted some misgivings that were rising in her mind, lest what the neighbours said about his not being right might he too true; and it gratified her moreover to think that her dear child (for she really loved the whelp) would not he forced to turn out and beg, but might earn decent bread for himself. So when Mick came home in the evening from his work, she up and told him all that had happened, and all that Tim Carrol had said; and Mick, as was natural, was very glad to hear it, for the helpless condition of the poor creature was a great trouble to him; so next day he took the pig to the fair, and with what it brought set off to Clonmel, and bespoke a bran new set of pipes, of the proper size for him. In about a fortnight the pipes came home, and the moment the chap in his cradle laid eyes on them, he squealed with delight, and threw up his pretty legs, and bumped himself in his cradle, and went on with a great many comical tricks; till at last, to quiet him, they gave him the pipes, and he immediately set to and pulled away at Jig Polthog, to the admiration of all that heard him. The fame of his skill on the pipes soon spread far and near, for there was not a piper in the six next counties could come at all near him, in Old Moderagh rue, or the Hare in the Corn, or The Foxhunter Jig, or The Rakes of Cashel, or the Piper's Maggot, or any of the fine Irish jigs, which make people dance whether they will or no and it was surprising to hear him rattle away &quot; The Fox-hunt; &quot; you'd really think you heard the hounds giving tongue, and the terriers yelping always behind, and the huntsman and the whippers-in cheering or correcting the dogs; it was, in short, the very next thing to seeing the hunt itself. The best of him was, he was no ways stingy of his music, and many a merry dance the boys and girls of the neighbourhood used to have in his father's cabin; and he would play up music for them, that they said used as it were to put quicksilver in their feet; and they all declared they never moved so light and so airy to any piper's playing that ever they danced to.
</para>
<para>
But besides all his fine Irish music, he had one queer tune of his own, the oddest that ever was heard ; for the moment he began to play it, every thing in the house seemed disposed to dance; the plates and porringers used to jingle on the dresser, the pots and pot-hooks used to rattle in the chimney, and people used even to fancy they felt the stools moving from under them but, however it might be with the stools, it is certain that no one could keep long sitting on them, for both old and young always fell to capering as hard as ever they could. The girls complained that when he began this tune it always threw them out in their dancing, and that they never could handle their feet rightly, for they felt the floor like ice under them, and themselves every moment ready to come sprawling on their backs or their faces; the young bachelors that wished to show off their dancing and their new pumps, and their bright red or green and yellow garters, swore that it confused them so that they never could go rightly through the heel and toe, or cover the buckle, or any of their best steps, but felt themselves always all bedizzied and bewildered, and then old and young would go jostling and knocking together in a frightful manner; and when the unlucky brat had them all in this way whirligigging about the floor, he'd grin and chuckle and chatter, for all the world like Jacko the monkey when he has played off some of his roguery.
</para>
<para>
The older he grew the worse he grew, and by the time he was six years old there was no standing the house for him; he was always making his brothers burn or scald themselves, or break their shins over the pots and stools. One time in harvest, he was left at home by himself, and when his mother came in, she found the cat a horseback on the dog, with her face to the tail, and her legs tied round him, and the urchin playing his queer tune to them; so that the dog went barking and jumping about, and puss was mewing for the dear life, and slapping her tail backwards and forwards, which as it would hit against the dog's chaps, he'd snap at and bite, and then there was the philliloo. Another time, the farmer Mick worked with, a very decent respectable man, happened to call in, and Judy wiped a stool with her apron, and invited him to sit down and rest himself after his walk. He was sitting with his back to the cradle, and behind him was a pan of blood, for Judy was making pigs' puddings; the lad lay quite still in his nest, and watched his opportunity till he got ready a hook at the end of a piece of twine, which he contrived to fling so handily, that it caught in the bob of the man's nice new wig, and soused it in the pan of blood. Another time, his mother was coming in from milking the cow, with the pail on her head: the minute he saw her lie lilted up his infernal tune, and the poor woman letting go the pail, clapped her hands aside, and began to dance a jig, and tumbled the milk all atop of her husband, who was bringing in some turf to boil the supper. In short there would be no end to telling all his pranks, and all the mischievous tricks he played.
</para>
<para>
Soon after, some mischances began to happen to the farmer's cattle; a horse took the staggers, a fine veal calf died of the black-leg, and some of his sheep of the red water; the cows began to grow vicious, and to kick down the milk-pails, and the roof of one end of the barn fell in; and the farmer took it into his head that Mick Flanigan's unlucky child was the cause of all the mischief. So one day he called Mick aside, and said to him, &quot;Mick, you see things are not going on with me as they ought, and to be plain with you, Mick, I think that child of yours is the cause of it. I am really falling away to nothing with fretting, and I can hardly sleep on my bed at night for thinking of what may happen before the morning. So I'd be glad if you'd look out for work some where else; you're as good a man as any in the county, and there's no fear but you'll have your choice of work.&quot; To this Mick replied, &quot; that he was sorry for his losses, and still sorrier that he or his should be thought to be the cause of them; that for his own part, he was not quite easy in his mind about that child, but he had him, and so must keep him;&quot; and he promised to look out for another place immediately. Accordingly next Sunday at chapel, Mick gave out that he was about leaving the work at John Riordan's, and immediately a farmer, who lived a couple of miles off, and who wanted a ploughman (the last one having just left him), came up to Mick, and offered him a house and garden, and work all the year round. Mick, who knew him to be a good employer, immediately closed with him so it was agreed that the farmer should send a car [<ital>cart</ital>] to take his little bit of furniture, and that he should remove on the following Thursday. When Thursday came, the car came, according to promise, and Mick loaded it, and put the cradle with the child and his pipes on the top, and Judy sat beside it to take care of him, lest he should tumble out and be killed; they drove the cow before them, the dog followed, but the cat was of course left behind; and the other three children went along the road picking skeehories (haws), and blackberries, for it was a fine day towards the latter end of harvest.
</para>
<para>
They had to cross a river, but as it ran through a bottom between two high banks, you did not see it till you were close on it. The young fellow was lying pretty quiet in the bottom of his cradle, till they came to the head of the bridge, when hearing the roaring of the water (for there was a great flood in the river, as it had rained heavily for the last two or three days), he sat up ih his cradle and looked about him; and the instant he got a sight of the water, and found they were going to take him across it, O how he did bellow and how he did squeal ! -no rat caught in a snap-trap ever sang out equal to him. &quot; Whisht ! A lanna,&quot; said Judy, &quot; there's no fear of you;&quot; sure its only over the stone-bridge we're going.&quot; &quot;Bad luck to you, you old rip!&quot; cried he, &quot;what a pretty trick you've played me, to bring me here!&quot; and still went on yelling, and the farther they got on the bridge the louder he yelled; till at last Mick could hold out no longer, so giving him a great skelp of the whip he had in his hand, &quot;Devil choke you, you brat!&quot; said he, &quot; will you never stop bawling ? a body can't hear their ears for you.&quot; The moment he felt the thong of the whip, he leaped up in the cradle, clapt the pipes under his arm, gave a most wicked grin at Mick, and jumped clean over the battlements of the bridge down into the water. &quot; O my child, my child!&quot; shouted Judy, &quot; he's gone for ever from me.&quot; Mick and the rest of the children ran to the other side of the bridge, and looking over, they saw him coming out from under the arch of the bridge, sitting cross-legged on the top of a white-headed wave,and playing away on the pipes as merrily as if nothing had happened. The river was running very rapidly, so he was whirled away at a great rate; but he played as fast, ay and faster than the river ran; and though they set off as hard as they could along the bank, yet, as the river made a sudden turn round the hill, about a hundred yards below the bridge, by the time they got there he was out of sight, and no one ever laid eyes on him more; but the general opinion was, that he went borne with the pipes to his own relations, the good people, to make music for them.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Brewery of Egg-Shells</title>
</chapheader>
<para>
<emph>IT</emph> may be considered impertinent were I to explain what is meant by a changeling: both Shakspeare and Spenser have already done so and who is there unacquainted with the Midsummer Night's Dream [<ital>Act ii. Sc. 1</ital>] and the Fairy Queen [<ital>Book I. canto 10</ital>].
</para>
<para>
Now Mrs. Sullivan fancied that her youngest child had been changed by &quot;fairies theft,&quot; to use Spenser's words, and certainly appearances warranted such a conclusion; for in one night her healthy, blue-eyeed boy had become shrivelled up into almost nothing, and never ceased squalling and crying. This naturally made poor Mrs. Sullivan very unhappy; and all the neighbours, by way of comforting her, said, that her own child was, beyond any kind of doubt, with the good people, and that one of themselves had been put in his place.
</para>
<para>
Mrs. Sullivan of course could not disbelieve what every one told her, but she did not wish to hurt the thing; for although its face was so withered, and its body wasted away to a mere skeleton, it had still a strong resemblance to her own boy: she therefore could not find it in her heart to roast it alive on the griddle, or to burn its nose off with the red hot tongs, or to throw it out in the snow on the road side, notwithstanding these, and several like proceedings, were strongly recommended to her for the recovery of her child.
</para>
<para>
One day who should Mrs. Sullivan meet but a cunning woman, well known about the country by the name of Ellen Leah (or Grey Ellen). She had the gift, however she got it, of telling where the dead were, and what was good for the rest of their souls; and could charm away warts and wens, and do a great many wonderful things of the same nature.
</para>
<para>
&quot;You're in grief this morning, Mrs. Sullivan,&quot; were the first words of Ellen Leah to her.
</para>
<para>
&quot;You may say that, Ellen,&quot; said Mrs. Sullivan, and good cause I have to be in grief, for there was my own fine child whipped off from me out of his cradle, without as much as by your leave, or ask your pardon, and an ugly dony bit of a shrivelled up fairy put in his place; no wonder then that you see me in grief, Ellen.&quot;
</para>
<para>
&quot;Small blame to you, Mrs. Sullivan,&quot; said Ellen Leah; &quot;but are you sure 't is a fairy?&quot;
</para>
<para>
&quot;Sure!&quot; echoed Mrs. Sullivan, &quot; sure enough am I to my sorrow, and can I doubt my own two eyes? Every mother's soul must feel for me!&quot;
</para>
<para>
&quot;Will you take an old woman's advice ?&quot; said Ellen Leah, fixing her wild and mysterious gaze upon the unhappy mother; and, after a pause, she added, &quot;but may be you'll call it foolish? &quot;
</para>
<para>
&quot;Can you get me back my child, -- my own child, Ellen?&quot; said Mrs. Sullivan with great energy.
</para>
<para>
&quot;If you do as I bid you,&quot; returned Ellen Leah, &quot;you'll know.&quot; Mrs. Sullivan was silent in expectation, and Ellen continued, &quot; Put down the big pot, full of water, on the fire, and make it boil like mad; then get a dozen new laid eggs, break them, and keep the shells, but throw away the rest; when that is done, put the shells in the pot of boiling water, and you will soon know whether it is your own boy or a fairy. If you find that it is a fairy in the cradle, take the red hot poker and cram it down his ugly throat, and you will not have much trouble with him after that, I promise you.&quot;
</para>
<para>
Home went Mrs. Sullivan, and did as Ellen Leah desired. She put the pot on the fire, and plenty of turf under it, and set the water boiling at such a rate, that if ever water was red hot-it surely was.
</para>
<para>
The child was lying for a wonder quite easy and quiet in the cradle, every now and then cocking his eye, that would twinkle as keen as a star in a frosty night, over at the great fire, and the big pot upon it; and he looked on with great attention at Mrs. Sullivan breaking the eggs, and putting down the egg-shells to boil. At last he asked, with the voice of a very old man, &quot; What are you doing, mammy?&quot;
</para>
<para>
Mrs.. Sullivan's heart, as she said herself, was up in her mouth ready to choke her, at hearing the child speak. But she contrived to put the poker in the fire, and to answer without making any wonder at the words, &quot;I'm brewing, a vick,&quot; (my son.)
</para>
<para>
&quot;And what are you brewing, mammy?&quot; said the little imp, whose supernatural gift of speech now proved beyond question that he was a fairy substitute.
</para>
<para>
&quot;I wish the poker was red,&quot; thought Mrs. Sullivan; but it was a large one, and took a long time heating: so she determined to keep him in talk until the poker was in a proper state to thrust down his throat, and therefore repeated the question.
</para>
<para>
&quot;Is it what I'm brewing, a vick,&quot; said she, you want to know?&quot;
</para>
<para>
&quot;Yes, mammy: what are you brewing ?&quot; returned the fairy.
</para>
<para>
&quot;Egg-shells, a vick,&quot; said Mrs. Sullivan.
</para>
<para>
&quot;Oh!&quot; shrieked the imp, starting up in the cradle, and clapping his hands together, &quot; I'm fifteen hundred years in the world, and I never saw a brewery of egg-shells before!&quot; The poker was by this time quite red, and Mrs. Sullivan seizing it, ran furiously towards the cradle; but somehow or other her foot slipped, and she fell flat on the floor, and the poker flew out of her hand to the other end of the house. However, she got up, without much loss of time, and went to the cradle intending to pitch the wicked thing that was in it into the pot of boiling water, when there she saw her own child in a sweet sleep, one of his soft round arms rested upon the pillow his features were as placid as if their repose had never been disturbed, save the rosy mouth which moved with a gentle and regular breathing.
</para>
<para>
Who can tell the feelings of a mother when she looks upon her sleeping child? Why should I, therefore, endeavour to describe those of Mrs. Sullivan at again beholding her long lost boy? The fountain of her heart overflowed with the excess of joy -- and she wept! -- tears trickled silently down her cheeks, no? did she strive to check them -- they were tears not of sorrow, but of happiness.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Changeling</title>
</chapheader>
<para>
<emph>A YOUNG</emph> woman, whose name was Mary Scannell, lived with her husband not many years ago at Castle Martyr. One day in harvest time she went with several more to help in binding up the wheat, and left her child, which she was nursing, in a corner of the field, quite safe, as she thought, wrapped up in her cloak. When she had finished her work, she returned where the child was, but in place of her own child she found a thing in the cloak that was not half the size, and that kept up such a crying you might have heard it a mile off: so she guessed how the case was, and, without stop or stay, away she took it in her arms, pretending to be mighty fond of it all the while, to a wise woman, who told her in a whisper not to give it enough to eat, and to beat and pinch it without mercy, which Mary Scannell did; and just in one week after to the day, when she awoke in the morning, she found her own child lying by her side in the bed ! The fairy that had been put in its place did not like the usage it got from Mary Scannell, who understood how to treat it, like a sensible woman as she was, and away it went after the week's trial, and sent her own child back to her.
</para>
<para>
<title>The Two Gossips</title>
</para>
<para>
At Minane, near Tracton, there was a young couple whose name was Mac Daniel, and they had such a fine, wholesome-looking child, that the fairies determined on having it in their company, and putting a changeling in its place; but it so happened that Mrs. Mac Daniel had a gossip whose name was Norah Buckeley, and she was going by the house they lived in (it was a nice new slated one, by the same token) just coming on the dusk of the evening. She thought it too late to step in and ask how her gossip was, as she had above a mile and half further to go, and moreover she knew the fairies were abroad, for all along the road before her from Carrigaline, one eddy of dust would be followed by another, which was a plain sign that the good people were out taking their rounds; and she had pains in her hones with dropping so many curchies (courtesies). However, Norah Buckeley, when she came opposite her gossip's house, stopped short, and made another, and said almost under her breath, &quot;God keep all here from harm!&quot; No sooner had these words been uttered than she saw one of the windows lifted up, and her gossip's beautiful child without any more to do handed out; she could not tell, if her life depended on it, how, or by whom: no matter for that, she went to the window and took the child from whatever handed it, and covered it well up in her cloak, and carried it away home with her.
</para>
<para>
Next morning early she went over to see her gossip, who began to make a great moan to her, of how different her child was from what it had ever been before, crying all the night, and keeping her awake, and how nothing she could think of would quiet it.
</para>
<para>
&quot;I'll tell you what you'll do with the brat,&quot; said Norah Buckeley, Iooking as knowing as if she knew more than all the rest of the world: &quot;whip it well first, and then bring it to the cross-roads, and leave the fairy in the ditch there for any one to take that pleases; for I have your own child at home safe and sound as he was handed out of the window last night to me.&quot;
</para>
<para>
Mrs. Mac Daniel on hearing this, when the surprise was over, stepped out to get a rod, and her gossip happening for one instant to look after her, on turning round again, found the fairy gone, and neither she nor the child's mother saw any more of it, nor could ever hear a word of tidings how it disappeared in so wonderful a manner.
</para>
<para>
Mrs. Mac Daniel went over with great speed to her gossip's house, and there she got her own child, and brought him back with her, and a stout young man he is at this day.
</para>
<para>
<title>Notes </title>
</para>
<para>
Tracton is situated about ten miles south of Cork, in a district usually called &quot;Daunt's Country,&quot; from the residence of several families of that name. Tracton Abbey, now completely demolished, was formerly a place of some celebrity ; see Archdale's Monasticon Hibernicum, and Dr. Smith's History of Cork.
</para>
<para>
In 1781, James Dennis, Chief Baron of the Exchequer, was created Baron Tracton, of Tracton Abbey; which title became extinct on his demise the following year. Lord Tracton was buried in the cathedral of Cork; and, what is curious, a noble monument to his memory, possibly the largest and best piece of statuary in the south of Ireland, is placed in the parish church of St. Nicholas, the smallest in that city.
</para>
<para>
An eddy of dust, raised by the wind, is supposed by the superstitious peasantry to be occasioned by the journeying of a fairy troop from one of their haunts to another, and the same civilities are scrupulously observed towards the invisible riders as if the dust had been caused by a company of the most important persons in the country. In Scotland, the sound of bridles ringing through the air accompanies the whirlwind which marks the progress of a fairy journey.
</para>
<para>
The invisible agency by which the child was thrust out of the window will find a parallel in many stories, particularly in one related by Waldron, the Isle of Man chronicler.
</para>
<para>
At Minane, the scene of this tale, the finest specimens hitherto discovered of a rare mineral, called hydrargillite or wavellite, have been dug up.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Legend of Bottle Hill</title>
</chapheader>
<para>
IT was in the good days, when the little people most impudently called fairies, were more frequently seen than they are in these unbelieving times, that a farmer, named Mick Purcell, rented a few acres of barren ground in the neighbourhood of the once celebrated preceptory of Mourne, situated about three miles from Mallow, and thirteen from &quot;the beautiful city called Cork.&quot; Mick had a wife and family: they all did what they could, and that was but little, for the poor man had no child grown up big enough to help him in his work: and all the poor woman could do was to mind the children, and to milk the one cow, and to boil the potatoes, and carry the eggs to market to Mallow; but with all they could do, 't was hard enough on them to pay the rent. Well, they did manage it for a good while; but at last came a bad year, and the little grain of oats was all spoiled, and the chickens died of the pip, and the pig got the measles, -- she was sold in Mallow and brought almost nothing; and poor Mick found that he hadn't enough to half pay his rent, and two gales were due.
</para>
<para>
&quot;Why, then,. Molly,&quot; says he, &quot; what'll we do?&quot;
</para>
<para>
&quot;Wisha, then, mavournene, what would you do but take the cow to the fair of Cork and sell her,&quot; says she; &quot;and Monday is fair day, and so you must go to-morrow, that the poor beast may be rested again the fair.&quot;
</para>
<para>
And what'll we do when she's gone?&quot; says Mick, sorrowfully.
</para>
<para>
&quot;Never a know I know, Mick; but sure God won't leave us without Him, Mick; and you know how good He was to us when poor little Billy was sick, and we had nothing at all for him to take, that good doctor gentleman at Ballydahin come riding and asking for a drink of milk; and how he gave us two shillings; and how he sent the things and bottles for the child, and gave me my breakfast when I went over to ask a question, so he did; and how he came to see Billy, and never left off his goodness till he was quite well?&quot;
</para>
<para>
&quot;Oh! you are always that way, Molly, and I believe you are right after all, so I won't be sorry for selling the cow; but I'll go to-morrow, and you must put a needle and' thread through my coat, for you know 't is ripped under the arm.&quot;
</para>
<para>
Molly told him he should have every thing right; and about twelve o'clock next day he left her, getting a charge not to sell his cow except for the highest penny. Mick promised to mind it, and went his way along the road. He drove his cow slowly through the little stream which crosses it, and runs by the old walls of Mourne. As he passed he glanced his eye upon the towers and one of the old elder trees, which were only then little' bits of switches.
</para>
<para>
&quot;Oh, then, if I only had half the money that's buried in you, 't isn't driving this poor cow I'd be now! Why, then, isn't it too bad that it should be there covered over with earth, and many a one besides me wanting? Well, if it's God's will, I'll have some money myself coming back.&quot;
</para>
<para>
So saying, he moved on after his beast; 'twas a fine day, and the sun shone brightly on the walls of the old abbey as he passed under them; he then crossed an extensive mountain tract, and after six long miles he came to the top of that hill -- Bottle Hill 'tis called now, but that was not the name of it then, and just there a man overtook him. &quot; Good morrow,&quot; says he. &quot; Good morrow, kindly,&quot; says Mick, looking at the stranger, who was a little man, you'd almost call him a dwarf, Only he wasn't quite so little neither: he had a bit of an old, wrinkled, yellow face, for all the world like a dried cauliflower, only he had a sharp little nose, and red eyes, and white hair, and his lips were not red, but all his face was one colour, and his eyes never were quiet, but looking at every thing, and although they were red, they made Mick feel quite cold when he looked at them. In truth he did not much like the little man's company; and he couldn't see one bit of his legs, nor his body; for, though the day was warm, he was all wrapped up in a big great-coat. Mick drove his cow something faster, but the little man kept up with him. Mick didn't know how he walked, for he was almost afraid to look at him, and to cross himself, for fear the old man would be angry. Yet he thought his fellow-traveller did not seem to walk like other men, nor to put one foot before the other, but to glide over tile rough road, and rough enough it was, like a shadow, without noise and without effort. Mick's heart trembled within him, and he said a prayer to himself, wishing he hadn' t come out that day, or that he was on Fair-Hill, or that he hadn't the cow to mind, that he might run away from the bad thing -- when, in the midst of his fears, lie was again addressed by his companion.
</para>
<para>
&quot;Where are you going with the cow, honest man?&quot;
</para>
<para>
To the fair of Cork then,&quot; says Mick, trembling at the shrill and piercing tones of the voice.
</para>
<para>
&quot;Are you going to sell her?&quot; said the stranger.
</para>
<para>
&quot;Why, then, what else am I going for but to sell her?&quot;
</para>
<para>
&quot;Will you sell her to me?&quot;
</para>
<para>
Mick started -- he was afraid to have any thing to do with the little man, and he was more afraid to say no.
</para>
<para>
&quot;What'll you give for her?&quot; at last says he.
</para>
<para>
&quot;I'll tell you what, I'll give you this bottle,&quot; said the little one, pulling a bottle from under his coat.
</para>
<para>
Mick looked at him and the bottle, and, in spite of his terror, he could not help bursting into a loud fit of laughter.
</para>
<para>
&quot;Laugh if you will,&quot; said the little man, &quot;but I tell you this bottle is better for you than all the money you will get for the cow in Cork -- ay, than ten thousand times as much.&quot;
</para>
<para>
Mick laughed again. &quot;Why then,&quot; says he, &quot;do you think I am such a fool as to give my good cow for a bottle -- and an empty one, too? indeed, then, I won't.&quot;
</para>
<para>
You had better give me the cow, and take the bottle -you'll not be sorry for it.&quot;
</para>
<para>
&quot;Why, then, and what would Molly say? I'd never hear the end of it; and how would I pay the rent? and what would we all do without a penny of money?&quot;
</para>
<para>
&quot;I tell you this bottle is better to you than money; take it, and give me the cow. I ask you for the Jast time, Mick Purcell.&quot;
</para>
<para>
Mick started.
</para>
<para>
&quot;How does he know my name?&quot; thought he. The stranger proceeded: &quot; Mick Purcell, I know you, and I have a regard for you ; therefore do as I warn you, or you may be sorry for it. How do you know but your cow will die before you get to Cork?&quot;
</para>
<para>
Mick was going to say&quot; God forbid!&quot; but the little man went on (and he was too attentive to say any thing to stop him; for Mick was a very civil man, and he knew better than to interrupt a gentleman, and that's what many people, that hold their heads higher, don't mind now).
</para>
<para>
&quot;And how do you know but there will be much cattle at the fair, and you will get a bad price, or may be you might be robbed when you are coming home? but what need I talk more to you, when you are determined to throw away your luck, Mick Purcell.&quot;
</para>
<para>
&quot;Oh ! no, I would not throw away my luck, sir,&quot; said Mick; &quot; and if I was sure the bottle was as good as you say, though I never liked an empty bottle, although I had drank what was in it, I'd give you the cow in the name -- &quot;
</para>
<para>
&quot;Never mind names,&quot; said the stranger, &quot;but give me the cow; I would not tell you a lie. Here, take the bottle, and when you go home do what I direct exactly.&quot;
</para>
<para>
Mick hesitated.
</para>
<para>
&quot;Well then, good bye, I can stay no longer : once more, take it, and be rich; refuse it and beg for your life, and see your children in poverty, and your wife dying for want: that will happen to you, Mick Purcell!&quot; said the little man with a malicious grin, which made him look ten times more ugly than ever.
</para>
<para>
&quot;May be, 'tis true,&quot; said Mick, still hesitating he did not know what to do -- he could hardly help believing the old man, and at length in a fit of desperation he seized the bottle -- &quot;Take the cow,&quot; said he, &quot;and if you are telling a lie, the curse of the poor will he on you.&quot;
</para>
<para>
&quot;I care neither for your curses nor your blessings, but I have spoken truth, Mick Purcell, and that you will find to-night, if you do what I tell you.&quot;
</para>
<para>
And what 's that?&quot; says Mick.
</para>
<para>
&quot;When you go home, never mind if your wife is angry, but be quiet yourself, and make her sweep the room clean, set the table out right, and spread a clean cloth over it; then put the bottle on the ground, saying these words: ' Bottle, do your duty,' and you will see the end of it.&quot;
</para>
<para>
&quot;And is this all?&quot; says Mick.
</para>
<para>
&quot;No more,&quot; said the stranger. &quot; Good bye, Mick Purcell -- you are a rich man.&quot;
</para>
<para>
&quot;God grant it!&quot; said Mick, as the old man moved after the cow, and Mick retraced the road towards his cabin; but he could not help turning back his head, to look after the purchaser of his cow, who was nowhere to be seen.
</para>
<para>
&quot;Lord between us and harm!&quot; said Mick : He can't belong to this earth; but where is the cow?&quot; She too was gone, and Mick went home ward muttering prayers, and holding fast the bottle.
</para>
<para>
&quot;And what would I 'do if it broke?&quot; thought he. &quot; Oh I but I'll take care of that;&quot; so he put it into his bosom, and went on anxious to prove his bottle, and doubting of the reception he should meet from his wife; balancing his anxieties with his expectation, his fears with his hopes, he reached home in the evening, and surprised his wife, sitting over the turf fire in the big chimney.
</para>
<para>
&quot;Oh! Mick, are you come back? Sure you weren't at Cork all the way! What has happened to you? Where is the cow? Did you sell her? How much money did you get for her? What news have you ? Tell us every thing about it?&quot;
</para>
<para>
&quot;Why then, Molly, if you'll give me time, I'll tell you all about it. If you want to know where the cow is, 'tisn't Mick can tell you, for the never a know does he know where she is now.&quot;
</para>
<para>
&quot;Oh! then, you sold her; and where's the money?&quot;
</para>
<para>
&quot;Arrah! stop awhile, Molly, and I'll tell you all about it.&quot;
</para>
<para>
&quot;But what is that bottle under your waistcoat?&quot; said Molly, spying its neck sticking out.
</para>
<para>
&quot;Why, then, be easy now, can't you,&quot; says Mick, &quot; till I tell it to you;&quot; and putting the bottle on the table, &quot; That's all I got for the cow.&quot;
</para>
<para>
His poor wife was thunderstruck. &quot; All you got! and what good is that, Mick? Oh! I never thought you were such a fool; and what 'II we do for the rent, and what -&quot;
</para>
<para>
&quot;Now, Molly,&quot; says Mick, &quot;can't you hearken to reason? Didn't I tell you how the old man, or whatsomever he was, met me, -- no, he did not meet me neither, but he was there with me -- on the big hill, and how he made me sell him the cow, and told me the bottle was the only thing for me?&quot;
</para>
<para>
&quot;Yes, indeed, the only thing for you, you fool!&quot; said Molly, seizing the bottle to hurl it at her poor husband's head; but Mick caught it, and quietly (for he minded the old man's advice) loosened his wife's grasp, and placed the bottle again in his bosom. Poor Molly sat down crying, while Mick told her his story, with many a crossing and blessing between him and harm. His wife could not help believing him, particularly as she had as much faith in fairies as she had in the priest, who indeed never discouraged her belief in the fairies; may be, he didn't know she believed in them, and may be, he believed in them himself. She got up, however, without saying one word, and began to sweep the earthen floor with a bunch of heath ; then she tidied up every thing, and put out the long table, and spread the clean cloth, for she had only one, upon it, and Mick, placing the bottle on the ground, looked at it, and said,&quot; Bottle, do your duty.&quot;
</para>
<para>
&quot;Look there! look there, mammy!&quot; said his chubby eldest son, a boy about five years old -&quot;look there I look there ! &quot; and he sprang to his mother's side, as two tiny little fellows rose like light from the bottle, and in an instant covered the table with dishes and plates of gold and silver, full of the finest victuals that ever were seen, and when all was done went into the bottle again. Mick and his wife looked at every thing with astonishment; they had never seen such plates and dishes before, and didn't think they could ever admire them enough; the very sight almost took away their appetites ; but at length Molly said, &quot; Come and sit down, Mick, and try and eat a bit: sure you ought to be hungry after such a good day's work.&quot;
</para>
<para>
&quot;Why, then, the man told no lie about tile bottle.&quot;
</para>
<para>
Mick sat down, after putting the children to the table; and they made a hearty meal, though they couldn't taste half the dishes.
</para>
<para>
Now,&quot; says Molly, &quot;I wonder will those two good little gentlemen carry away these fine things again ?.&quot; They waited, but no one came; so Molly put up the dishes and plates very carefully, saying, &quot; Why, then, Mick, that was no lie sure enough: but you'll be a rich man yet, Mick Purcell.&quot;
</para>
<para>
Mick and his wife and children went to their bed, not to sleep, but to settle about selling the fine things they did not want, and to take more land. Mick went to Cork and sold his plate, and bought a horse and cart, and began to show that he was making money; and they did all they could to keep the bottle a secret; but for all that, their landlord found it out, for he came to Mick one day, and asked him where he got all his money -- sure it was not by the farm; and he bothered him so. much, that at last Mick told him of the bottle. His landlord offered him a deal of money for it, but Mick would not give it, till at last he offered to give him all his farm for ever: so Mick, who was. very rich, thought he'd never want any more money, and gave him the bottle: but Mick was mistaken -- he and his family spent money as if there was no end of it; and, to make the story short, they became poorer and poorer, till at last they had nothing left but one cow; and Mick once more drove his cow before him to sell her at Cork fair, hoping to meet the old man and' get another bottle. It was hardly daybreak when he left home, and he walked on at a good pace till he reached the big hill: the mists were sleeping in the valleys and curling like smoke-wreaths upon the brown heath around him. The sun rose on his left, and just at his feet a lark sprang from its grassy couch and poured forth its joyous matin song, ascending into the clear blue sky,
</para>
<poem><verse><line>
&quot;Till its form like a speck in the airiness blending </line><line>
And thrilling with music, was melting in light.&quot;
</line></verse></poem>
<para>
Mick crossed himself, listening as he advanced to the sweet song of the lark, but thinking, not-withstanding, all the time of the little old man ; when, just as he reached the summit of the hill, and cast his eyes over the extensive prospect before and around him, he was startled and rejoiced by the same well-known voice: -- &quot; Well, Mick Purcell, I told you, you would be a rich man.&quot;
</para>
<para>
&quot;Indeed, then, sure enough I was, that's no lie for you, sir. Good morning to you, but it is not rich I am now -- but have you another bottle, for I want it now as much as I did long ago; so if you have it, sir, here is the cow for it.&quot;
</para>
<para>
&quot;And here is the bottle,&quot; said the old man, smiling; &quot;you know what to do with it.&quot;
</para>
<para>
&quot;Oh! then, sure I do, as good right I have.&quot;
</para>
<para>
&quot;Well, farewell for ever, Mick Purcell: I told you, you would be a rich man.&quot;
</para>
<para>
And good bye to you, sir,&quot; said Mick, as he turned back; &quot; and good luck to you, and good luck to the big hill -- it wants a name -- Bottle Hill. -- Good bye, sir, good bye: &quot; so Mick walked back as fast as he could, never looking after the white-faced little gentleman and the cow, so anxious was he to bring home the bottle. Well, he arrived with it safely enough, and called out, as soon as he saw Molly, &quot; Oh! sure I've another bottle!&quot;
</para>
<para>
&quot;Arrah! then, have you? why, then, you're a lucky man, Mick Purcell, that's what you are.&quot;
</para>
<para>
In an instant she put every thing right; and Mick, looking at his bottle, exultingly cried out, &quot;Bottle, do your duty.&quot; In a twinkling, two great stout men with big cudgels issued from the bottle (I do not know how they got room in it), and belaboured poor Mick and his wife and all his family, till they lay on the floor, when in they went again. Mick, as soon as he recovered, got up and looked about him; he thought and thought, and at last he took up his wife and his children; and) leaving them to recover as well as they could, he took the bottle under his coat, and went to his landlord, who had a great company : he got a servant to tell him he wanted to speak to him, and at last he came out to Mick.
</para>
<para>
&quot;Well, what do you 'want now?&quot;
</para>
<para>
&quot;Nothing, sir, only I have another bottle.&quot;
</para>
<para>
Oh! ho! is it as good as the first?&quot;
</para>
<para>
Yes, sir, and better; if you' like, I will show it to you before all the ladies and gentlemen.&quot;
</para>
<para>
Come along, then.&quot; So saying, Mick was brought into the great hall, where he saw his old bottle standing high up on a shelf: &quot; Ah! ha!&quot; says he to himself, &quot;may be I won't have you by and by.&quot;
</para>
<para>
Now,&quot; says his landlord, &quot; show us your bottle.&quot; Mick set it on the' floor, and uttered the words: in a moment the landlord was tumbled on the floor; ladies and gentlemen, servants and all, were running and roaring, and sprawling, and kicking, and shrieking. Wine cups and salvers were knocked about in every direction, until the landlord called out, &quot;Stop those two devils, Mick Purcell, or I'll have you hanged I&quot;
</para>
<para>
&quot;They never shall stop,&quot; said Mick, &quot; till I get my own bottle that I see up there at top of that shelf.&quot;
</para>
<para>
&quot;Give it down to him, give it down to him, before we are all killed!&quot; says the landlord.
</para>
<para>
Mick put his bottle in his bosom; in jumped the two men into the new bottle, and he carried the bottles home. I need not lengthen my story by telling how he got richer than ever, how his son married his landlord's only daughter, how he and his wife died when they were very old, and how some of the servants, fighting at their wake, broke the bottles; but still the hill has the name upon it; ay, and so 't will be always Bottle Hill to the end of the world, and so it ought, for it is a strange story.
</para>
</chapter>

<chapter>
<chapheader>
<title>The Confessions of Tom Bourke</title>
</chapheader>
<para>
<emph>TOM BOURKE</emph> lives in a low long farm-house, resembling in outward appearance a large barn, placed at the bottom of the hill, just where the new road strikes off from the old one, leading from the town of Kilworth to that of Lismore. He is of a class of persons who are a sort of black swans in Ireland: he is a wealthy farmer. Tom's father had, in the good old times, when a hundred pounds were no inconsiderable treasure, either to lend or spend, accommodated his landlord with that sum, at interest; and obtained, as a return for the civility, a long lease, about half a dozen times more valuable than the loan which procured it. The old man died worth several hundred pounds, the greater part of which, with his farm, he bequeathed to his son Tom. But, besides all this, Tom received from his father, upon his deathbed, another gift, far more valuable than worldly riches, greatly as he prized and is still known to prize them.. He was invested with the privilege, enjoyed by few of the sons of men, of communicating with those mysterious beings called &quot;the good people.&quot;
</para>
<para>
Tom Bourke is a little, stout, healthy, active man, about fifty-five years of age. His hair is perfectly white, short and bushy behind, but rising in front erect and thick above his forehead, like a new clothes-brush. His eyes are of that kind which I have often observed with persons of a quick but limited intellect -- they are small, grey, and lively. The large and projecting eyebrows under, or rather within, which they twinkle, give them an expression of shrewdness and intelligence, if not of cunning. And this is very much the character of the man. If you want to make a bargain with Tom Bourke, you must act as if you were a general besieging a town, and make your advances a long time before you can hope to obtain possession; if you march up boldly, and tell him at once your object, you are for the most part sure to have the gates closed in your teeth. Tom does not wish to part with what you wish to obtain, or another person has been speaking to him for the whole of the last week. Or, it may be, your proposal seems to meet the most favourable reception. &quot;Very well, sir;&quot; &quot;That's true, Sir;&quot; &quot; I'm very thankful to your honour,&quot; and other expressions of kindness and confidence, greet you in reply to every sentence; and you part from him wondering how he can have obtained the character which he universally bears, of being a man whom no one can make any thing of in a bargain. But when you next meet him, the flattering illusion is dissolved: you find you are a great deal farther from your object than you were when you thought you had almost succeeded: his eye and his tongue express a total forgetfulness of what the mind within never lost sight of for an instant; and you have to begin operations afresh, with the disadvantage of having put your adversary completely upon his guard.
</para>
<para>
Yet, although Tom Bourke is, whether from supernatural revealings, or (as many will think more probable) from the tell-truth, experience, so distrustful of mankind, and so close in his dealings with them, he is no misanthrope. No man loves better the pleasures of the genial board. The love of money, indeed, which is with him (and who will blame him?) a very ruling propensity, and the gratification which it has received from habits of industry, sustained throughout a pretty long and successful life, have taught him the value of sobriety, during those seasons, at least, when a man's business requires him to keep possession of his senses. He has therefore a general rule, never to get drunk but on Sundays. But, in order that it should be a general one to all intents and purposes, he takes a method which, according to better logicians than he is, always proves the rule. He has many exceptions: among these, of course, are the evenings of all the fair and market. days that happen in his neighbourhood; so also all the days on which funerals, marriages, arid christenings. take place among his friends within many miles of him. As to this last class of exceptions, it may appear at first very singular, that he is much more punctual in his attendance at the funerals than at the baptisms or weddings of his friends. This may be construed as an instance of disinterested affection for departed worth, very uncommon in this selfish world. But I am afraid that the motives which lead Tom Bourke to pay more court to the dead than the living are precisely those which lead to the opposite conduct in the generality of mankind a hope of future benefit and a fear of future evil. For the good people, who are a race as powerful as they are capricious, have their favourites among those who inhabit this world; often show their affection, by easing the objects of it from the load of this burdensome life; and frequently reward or punish the living, according to the degree of reverence paid to the obsequies and the memory of the elected dead.
</para>
<para>
It is not easy to prevail on Tom to speak of those good people, with whom he is said to hold frequent and intimate communications. To the faithful, who believe in their power, and their occasional delegation of it to him, he seldom refuses, if properly asked, to exercise his high prerogative, when any unfortunate being is struck [<ital>the term &quot;fairy struck&quot; is applied to paralytic affections, which are supposed to proceed from a blow given by the invisible hand of an offended fairy; this belief, of course, creates fairy doctors, who by means of charms and mysterious journeys profess to cure the afflicted. It is only faiir to add, that the term has also a convivial acceptation, the fairies being not un-frequently made to bear the blame of the effects arising from too copious a sacrifice to the jolly god. The importance attached to the manner and place of burial by the peasantry is almost incredible; it is always a matter of consideration and often of dispute whether the deceased shall be buried with his or her &quot;own people.&quot;</ital>] in his neighbourhood. Still, he will not be won unsued: he is at first difficult of persuasion, and must be overcome by a little gentle violence. On these occasions he is unusually solemn and mysterious, and if one word of reward be mentioned, he at once abandons the unhappy patient, such a proposition being a direct insult to his supernatural superiors. It is true, that as the labourer is worthy of his hire, most persons, gifted as he is, do not scruple to receive a token of gratitude from the patients or their friends after their recovery.
</para>
<para>
To do Tom Bourke justice, he is on these occasions, as I have heard from many competent authorities, perfectly disinterested. Not many months since, he recovered a young woman (the sister of a tradesman living near him), who had been struck speechless after returning from a funeral, and had continued so for several days. He steadfastly refused receiving any compensation; saying, that even if he had not as much as would buy him his supper, he could take nothing in this case, because the girl had offended at the funeral one of the good people belonging to his own family, and though he would do her a kindness, he could take none from her.
</para>
<para>
About the time this last remarkable affair took place, my friend Mr. Martin, who is a neighbour of Tom's, had some business to transact with him, which it was exceedingly difficult to bring to a conclusion. At last Mr. Martin, having tried all quiet means, had recourse to a legal process, which brought Tom to reason, and the matter was arranged to their mutual satisfaction, and with perfect good humour between the parties. The accommodation took place after dinner at Mr. Martin's house, and he invited Tom to walk into the parlour and take a glass of punch, made of some excellent potteen, which was on the table : he had long wished to draw out his highly 'endowed neighbour on the subject of his supernatural powers, and as Mrs. Martin, who was in the room, was rather a favourite of Tom's, this seemed a good opportunity.
</para>
<para>
&quot;Well, Tom,&quot; said Mr. Martin, &quot; that was a curious business of Molly Dwyer's, who recovered her speech so suddenly the other day.&quot;
</para>
<para>
You may say that, sir,&quot; replied Tom Bourke; but I had to travel far for it: no matter for that, now. Your health, ma'am,&quot; said he, turning to Mrs. Martin.
</para>
<para>
&quot;Thank you, Tom. But I am told you had some trouble once in that way in your own family,&quot; said Mrs. Martin.
</para>
<para>
&quot;So I had, ma 'am; trouble enough; but you were only a child at that time.&quot;
</para>
<para>
&quot;Come, Tom,&quot; said the hospitable Mr. Martin, interrupting him, &quot; take another tumbler;&quot; and he then added, &quot;I wish you would tell us something of the manner in which so many of your children died. I am told they dropped off, one after another, by the same disorder, and that your eldest son was cured in a most extraordinary way, when the physicians had given him over.&quot;
</para>
<para>
&quot;'Tis true for you, sir,&quot; returned Tom; &quot;your father, the doctor (God be good to him, I won't belie him in his grave) told me, when my fourth little boy was a week sick, that himself and Doctor Barry did all that man could do for him but they could not keep him from going after the rest. No more they could, if the people that took away the rest wished to take him too. But they left him; and sorry to the heart I am I did not know before why they were taking my boys from me; if I did, I would not be left trusting to two of 'em now.&quot;
</para>
<para>
&quot;And how did you find it out, Tom?&quot; enquired Mr. Martin.
</para>
<para>
&quot;Why, then, I'll tell you, sir,&quot; said Bourke.
</para>
<para>
&quot;When your father said what I told you, I did not know very well what to do. I walked down the little bohereen you know, sir, that goes to the river side near Dick Heafy's ground; for 't was a lonesome place, and I wanted to think of myself. I was heavy, sir, and my heart got weak in me, when I thought I was to lose my little boy; and I did not know well how to face his mother with the news, for she doted down upon him. Beside, she never got the better of all she cried at his brother's berrin (burying) the week before. As I was going down the bohereen, I met an old bocough [<ital>A peculiar class of beggars resembling the Gaberlunzie man of Scotland</ital>] , that used to come about the place once or twice a year, and used always sleep in our barn while he staid in the neighbourhood. So he asked me how I was. 'Bad enough, Shamous (James,)' says I. 'I'm sorry for your trouble,' says he; 'but you're a foolish man, Mr. Bourke. Your son would be well enough if you would only do what you ought with him.' 'What more can I do with him, Shamous?' says I: 'the doctors give him over.' 'The doctors know no more what ails him than they do what ails a cow when she stops her milk,' says Shamous: 'but go to such a one,' says he, telling me his name, 'and try what he'll say to you.' &quot;
</para>
<para>
&quot;And who was that, Tom?&quot; asked Mr. Martin.
</para>
<para>
&quot;I could not tell you that, sir,&quot; said Bourke, with a mysterious look: &quot;howsoever, you often saw him, and he does not live far from this. But I had a trial of him before; and if I went to him at first, may be I'd have now some of the them that's gone, and so Shamous often told me. Well, sir, I went to this man, and he came with me to the house. By course, I did every thing as he bid me. According to his order, I took the little boy out of the dwelling-house immediately, sick as he was, and made a bed for him and myself in the cow-house. Well; sir, I lay down by his side, in the bed, between two of the cows, and he fell asleep. He got into a perspiration, saving your presence, as if he was drawn through the river, and breathed hard, with a great impression (oppression) on his chest, and was very bad -- very bad entirely through the night. I thought about twelve o'clock he was going at last, and I was just getting up to go call the man I told you of; but there was no occasion. My friends were getting the better of them that wanted to take him away from me. There was nobody in the cow-house but the child and myself. There was only one halfpenny candle lighting, and that was stuck in the wall at the far end of the house. I had just enough of light where we were laying to see a person walking or standing near us: and there was no more noise than if it was a churchyard, except the cows chewing the fodder in the stalls. Just as I was thinking of getting up, as I told you -- I won't belie my father, sir -- he was a good father to me -- I saw him standing at the bed-side, holding out his right hand to me, and leaning his other hand on the stick he used to carry when he was alive, and looking pleasant and smiling at me, all as if he was telling me not to be afeard, for I would not lose the child. ' Is that you, father ?' says I. He said nothing. 'If that's you,' says I again, 'for the love of them that's gone, let me catch your hand.' And so he did, sir; and his hand was as soft as a child's. He stayed about as long as you'd be going from this to the gate below at the end of the avenue, and then went away. In less than a week the child was as well as if nothing ever ailed him; and there isn't to-night a healthier boy of nineteen, from this blessed house to the town of Ballyporeen, across the Kilworth mountains.&quot;
</para>
<para>
But I think, Tom,&quot; said Mr. Martin, &quot;it appears as if you are more indebted to your father than to the man recommended to you by Shamous; or do you suppose it was he who made favour with your enemies among the good people, and that then your father -&quot;
</para>
<para>
&quot;I beg your pardon, sir,&quot; said Bourke, interrupting him; &quot;but don't call them my enemies. 'T would not be wishing to me for a good deal to sit by when they are called so. No offence to you, sir. -- Here's wishing you a good health and long life.&quot;
</para>
<para>
&quot;I assure you,&quot; returned Mr. Martin, &quot; I meant no offence, Tom; but was it not as I say?&quot;
</para>
<para>
&quot;I can't tell you that sir,&quot; said Bourke; &quot;I'm bound down, sir. Howsoever, you may be sure the man I spoke of; and my father, and those they know, settled it between them.&quot;
</para>
<para>
There was a pause, of which Mrs. Martin took advantage to enquire of Tom, whether something remarkable had not happened about a goat and a pair of pigeons, at the time of his son's illness -- circumstances often mysteriously hinted at by Tom.
</para>
<para>
&quot;See that now,&quot; said he, turning to Mr. Martin, &quot;how well she remembers it! True for you, ma'am. The goat I gave the mistress, your mother, when the doctors ordered her goats' whey.&quot;
</para>
<para>
Mrs. Martin nodded assent, and Tom Bourke continued -&quot; Why, then, I'll tell you how that was. The goat was as well as e'er a goat ever was, for a month after she was sent to Killaan to your father's. The morning after the night I just told you of; before the child woke, his mother was standing at the gap, leading out of the barn-yard into the road, and she saw two pigeons flying from the town of Kilworth, off the church, down towards her. Well, they never stopped, you see, till they came to the house on the hill at the other side of the river, facing our farm. They pitched upon the chimney of that house, and after looking about them for a minute or two, they flew straight across the river, and stopped on the ridge of the cow,-house where the child and I were lying. Do you think they came there for nothing, sir?&quot;
</para>
<para>
&quot;Certainly not, Tom,&quot; returned Mr. Martin.
</para>
<para>
&quot;Well, the woman came in to me, frightened,and told me. She began to cry. -- 'Whisht, you fool !' says I: ' 'tis all for the. better.' 'Twas true for me. What do you think, ma'am; the goat that I gave your mother, that was seen feeding at sunrise that morning by Jack Cronin, as merry as a bee, dropped down dead, without any body knowing why, before Jack's face ; and at that very moment he saw two pigeons fly from the top of the house out of the town, towards the Lismore road. 'T was at the same time my woman saw them, as I just told you.
</para>
<para>
'T was very strange, indeed, Tom,&quot; said Mr. Martin; &quot;I wish you could give us some explanation of it.&quot;
</para>
<para>
&quot;I wish I could, sir,&quot; was Tom Bourke's answer; &quot;but I'm bound down. I can't tell but what I'm allowed to tell, any more than a sentry is let walk more than his rounds.&quot;
</para>
<para>
&quot;I think you said something of having had some former knowledge of the man that assisted in the cure of your son,&quot; said Mr. Martin.
</para>
<para>
So I had, sir,&quot; returned Bourke. &quot; I had a trial of that man. But that's neither here nor there. I can't tell you any thing about that, sir. But would you like to know how he got his skill?&quot;
</para>
<para>
&quot;Oh! very much, indeed,&quot; said Mr. Martin.
</para>
<para>
&quot;But you can tell us his Christian name, that we may know him the better through the story,&quot; added Mrs. Martin. Tom Bourke paused for a minute to consider this proposition.
</para>
<para>
&quot;Well, I believe I may tell you that, any how; his name is Patrick. He was always a smart, active, 'cute boy, and would be a great clerk if he stuck to it. The first time I knew him, sir, was at my mother's wake. I was in great trouble, for I did not know where to bury her. Her people arid my father's people -- I mean their friends, sir, among the good people, had the greatest battle that was known for many a year, at Dunmanwaycross, to see to whose churchyard she'd be taken. They fought for three nights, one after another, without being able to settle it. The neighbours wondered how long I was before I buried my mother; but I had my reasons, though I could not tell them at that time. Well, sir, to make my story short, Patrick came on the fourth morning and told me he settled the business, and that day we buried her in Kilcrumper churchyard, with my father's people.&quot;
</para>
<para>
&quot;He was a valuable friend, Tom,&quot; said Mrs. Martin, with difficulty suppressing a smile. &quot;But you were about to tell how he became so skillful.&quot;
</para>
<para>
&quot;So I will, and welcome,&quot; replied Bourke. &quot;Your health, ma'am. I am drinking too much of this punch, sir; but to tell the truth, I never tasted the like of it: it goes down one's throat like sweet oil. But what was [<ital> going to say? -Yes -- well -- Patrick, many a long. year ago, was coming home from a berrin late in the evening, and walking by the side of the river, opposite the big inch Inch -- low meadow ground near a river</ital>] , near Ballyhefaan ford [<ital>A ford of the river Funcheon (the Fanchin of Spenser), on the road leading from Fermoy to Araglin</ital>]. He had taken a drop, to be sure; but he was only a little merry, as you may say, and knew very well what he was doing. The moon was shining, for it was in the month of August, and the river was as smooth and as bright as a looking-glass. He heard nothing for a long time but the fall of the water at the mill wier about a mile down the river, and now and then the crying of the lambs on the other side of the river. All at once, there was a noise of a great number of people, laughing as if they'd break their hearts, and of a piper playing among them. It came from the inch at the other side of the ford, and he saw, through the mist that hung over the river, a whole crowd of people dancing on the inch. Patrick was as fond of a dance as he was of a glass, and that's saying enough for him; so he whipped [<ital>ie. &quot;the time of the crack of a whip,&quot; he took off his shoes and stockings</ital>] off his shoes and stockings, and away with him across the ford. After putting on his shoes and stockings at the other side of the river, he walked over to the crowd, and mixed with them for some time without being minded. He thought, sir, that he'd show them better dancing than any of themselves, for he was proud of his feet, sir, and good right he had, for there was not a boy in the same parish could foot a double or treble with him. But pwah I -- his dancing was no more to theirs than mine would be to the mistress there. They did not seem as if they had a bone in their bodies, and they kept it up as if nothing could tire them. Patrick was 'shamed within himself, for he thought he had not his fellow in all the country round; and was going away, when a little old man, that was looking at the company for some time bitterly, as if he did not like what was going on, came up to him. 'Patrick,' says he.
</para>
<para>
Patrick started, for he did not think any body there knew him. ' Patrick,' says he, you're discouraged, and. no wonder for you. But you have a friend near you. I 'm your friend, and your father's friend, and I think worse (more) of your little finger than I do of all that are here, though they think no one is as good as themselves. Go into the ring and call for a lilt. Don't be afeard. I tell you the best of them did not do as well as you shall, if you will do as I bid you.' Patrick felt something within him as if he ought not to gainsay the old man. He went into the ring, and called the piper to play up the best double he had. And, sure enough, all that the others were able for was nothing to him! He bounded like an eel, now here and now there, as light as a feather, although the people could hear the music answered by his steps, that beat time to every turn of it, like the left foot of the piper. He first danced a hornpipe on the ground. Then they got a table, and he danced a treble on it that drew down shouts from the whole company. At last he called for a trencher; and when they saw him, all as if he was spinning on it like a top, they did not know what to make of him. Some praised him for the best dancer that ever entered a ring; others hated him because he was better than themselves; although they had good right to think themselves better than him or any other man that never went the long journey.&quot;
</para>
<para>
&quot;And what was the cause of his great success?&quot; enquired Mr. Martin.
</para>
<para>
&quot;He could not help it, sir,&quot; replied Tom Bourke. &quot;They that could make him do more than that made him do it. Howsomever, when he had done, they wanted him to dance again, but he was tired, and they could not persuade him. At last he got angry, and swore a big oath, saving your presence, that he would not dance a step more; and the word was hardly out of his mouth, when he found himself all alone, with nothing but a white cow grazing by his side.&quot;
</para>
<para>
&quot;Did he ever discover why he was gifted with these extraordinary powers in the dance, Tom'?&quot; said Mr. Martin.
</para>
<para>
&quot;I'll tell you that too, sir,&quot; answered Bourke, &quot;when I come to it. When he went home, sir, be was taken with a shivering, and went to bed; and the next day they found he got the fever, or something like it, for he raved like as if he was mad. But they couldn't make out what it was he was saying, though he talked constant. The doctors gave him over. But it 's little they know what ailed him. When he was, as you may say, about ten days sick, and every body thought he was going, one of the neighbours came in to him with a man, a friend of his, from Ballinlacken, that was keeping with him some time before. I can't tell you his name either, only it was Darby. The minute Darby saw Patrick, he took a little bottle, with the juice of herbs in it, out of his pocket, and gave Patrick a drink of it. He did the same every day for three weeks, and then Patrick was able to walk about, as stout and as hearty as ever he was in his life. But be was a long time before he came to himself; and he used to walk the whole day sometimes by the ditch side, talking to himself, like as if there was some one along with him. And so there was, surely, or he wouldn't be the man he is to-day.
</para>
<para>
&quot;I suppose it was from some such companion lie learned his skill,&quot; said Mr. Martin.
</para>
<para>
&quot;You have it all now, sir,&quot; replied Bourke.
</para>
<para>
&quot;Darby told him his friends were satisfied with what he did the night of the dance; and though they couldn't hinder the fever, they'd bring him over it, and teach him more than many knew beside him. And so they did. For you see all the people he met on the inch that night were friends of a different faction; only the old man that spoke to him; he was a friend of Patrick's family, and it went again' his heart, you see, that the others were so light and active, and he was bitter in himself to hear 'em boasting how they'd dance with any set in the whole country round. So he gave Patrick the gift that night, and afterwards gave him the skill that makes him the wonder of all that know him. And to be sure it was only learning he was that time when he was wandering in his mind after the fever.&quot;
</para>
<para>
&quot;I have heard many strange stories about that inch near Ballyhefaan ford,&quot; said Mr. Martin.
</para>
<para>
&quot;'Tis a great place for the good people, isn't it, Tom?&quot;
</para>
<para>
&quot;You may say that, sir,&quot; returned Bourke. &quot;I could tell you a great deal about it. Many a time I sat for as good as two hours by moon-light, at th' other side of the river, looking at 'em playing goal as if they'd break their hearts over it; with their coats and waistcoats off, and white handkerchiefs on the heads of one party, and red ones on th' other, just as you'd see on a Sunday in Mr. Simming's big field. I saw 'em one night play till the moon set, without one party being able to take the ball from th' other. I'm sure they were going to fight, only 'twas near morning. I'm told your grandfather, ma'am, used to see 'em there, too,&quot; said Bourke, turning to Mrs. Martin.
</para>
<para>
&quot;So I have been told, Torn,&quot; replied Mrs. Martin. &quot;But don't they say that the church yard of Kilcrumper [<ital>about two hundred yards off the Dublin mail-coach road, nearly mid-way between Kilworth and Fermoy</ital>] is just as favourite a place with the good people, as Ballyhefaan inch.&quot;
</para>
<para>
&quot;Why, then may be, you never heard, ma'am, what happened to Davy Roche in that same churchyard,&quot; said Bourke; and turning to Mr. Martin, added, &quot; 't was a long time before he went into your service, sir. He was walking home, of an evening, from the fair of Kilcummer, a little merry, to be sure, after the day, and he came up with a berrin. So he walked along with it, and thought it very queer, that he did not know a mother's soul in the crowd, but one man, and he was sure that man was dead many years afore. Howsomever, he went on with the berrin, till they came to Kilcrumper churchyard; and faith he went in and staid with the rest, to see the corpse buried. As soon as the grave was covered, what should they do but gather about a piper that come along with 'em and fall to dancing as if it was a wedding. Davy longed to be among 'em (for he hadn' t a bad foot of his own, that time, whatever he may now); but he was loath to begin, because they all seemed strange to him, only the man I told you that he thought was dead. Well, at last this man saw what Davy wanted, and came up to him. 'Davy,' says he, 'take out a partner, and show what you can do, but take care and don't offer to kiss her.' 'That I won't,' says Davy, ' although her lips were made of honey.' And with that he made his bow to the purtiest girl in the ring, and he and she began to dance. 'T was a jig they danced, and they did it to th' admiration, do you see, of all that were there. 'T was all very well till the jig was over ; but just as they had done, Davy, for he had a drop in, and was warm with the dancing, forgot himself, and kissed his partner, according to custom. The smack was no sooner off of his lips, you see, than he was left alone in the churchyard, without a creature near him, and all he could see was the the tombstones. Davy said they seemed as if they were dancing too, but I suppose that was only the wonder that happened him, and he being a little in drink. Howsomever, he found it was a great many hours later than he thought it; 'twas near morning when he came home ; but they couldn't get a word out of him till the next day, when he 'woke out of a dead sleep about twelve o'clock.&quot;
</para>
<para>
When Tom had finished the account of Davy Roche and the berrin, it became quite evident that spirits of some sort were working too strong within him to admit of his telling many more tales of the good people. Tom seemed conscious of this.- He muttered for a few minutes broken sentences concerning churchyards, river-sides, leprechans, and dina magh, which were quite un-intelligible, perhaps to himself, certainly to Mr. Martin and his lady. At length he made a slight motion of the head upwards, as if he would say, &quot; I can talk no more;&quot; stretched his arm on the table, upon which he placed the empty tumbler slowly, and with the most knowing and cautious air; and rising from his chair, walked, or rather rolled, to the parlour-door. Here he turned round to face his host and hostess; but after various ineffectual attempts to bid them good night, the words, as they rose, being always choked by a violent hiccup, while the door, which he held by the handle, swung to and fro, carrying his unyielding body along with it, he was obliged to depart in silence. The cow-boy, sent by Tom's wife, who knew well what sort of allurement, detained him, when he remained out after a certain hour, was in attendance to conduct his master home. I have no doubt that he returned without meeting any material injury, as I know that within the last month, he was, to use his own words, &quot;As stout and hearty a man as any of his age in the county Cork.&quot;
</para>
</chapter>

<chapter>
<chapheader>
<title>Fairies Or No Fairies</title>
</chapheader>
<para>
<emph>JOHN MULLIGAN</emph> was as fine an old fellow as ever threw a Carlow spur into the sides of a horse. He was, besides, as jolly a boon companion over a jug of punch as you would meet from Carnsore Point to Bloody Farland. And a good horse he used to ride; and a stiffer jug of punch than his was not in nineteen baronies. May be he stuck more to it than he ought to have done-but that is nothing whatever to the story I am going to tell.
</para>
<para>
John believed devoutly in fairies; and an angry man was he if you doubted them. He had more fairy stories than would make, if properly printed in a rivulet of print running down a meadow of margin, two thick quartos for Mr. Murray, of Albemarle street; all of which he used to tell on all occasions that he could find listeners. Many believed his stories -- many more did not believe them -- but nobody, in process of time, used to contradict the old gentleman, for it was a pity to vex him. But he had a couple of young neighbours who were just come down from their first vacation in Trinity College to spend the summer months with an uncle of theirs, Mr. Whaley, an old Cromwellian, who lived at Ballybegmullinahone, and they were too full of logic to let the old man have his own way undisputed.
</para>
<para>
Every story he told they laughed at, and said that it was impossible -- that it was merely old woman's gabble, and other such things. When he would insist that all his stories were derived from the most credible sources -- nay, that some of them had been told him by his own grandmother, a very respectable old lady, but slightly affected in her faculties, as things that came under her own knowledge -- they cut the matter short by declaring that she was in her dotage, and at the best of times had a strong propensity to pulling a long bow.
</para>
<para>
&quot;But,&quot; said they, &quot;Jack Mulligan, did you ever see a fairy yourself?&quot;
</para>
<para>
&quot;Never,&quot; was the reply. -- Never, as I am a man of honour and credit.&quot;
</para>
<para>
&quot;Well, then,&quot; they answered, &quot; until you do, do not be bothering us with any more tales of my grandmother.&quot;
</para>
<para>
Jack was particularly nettled at this, and took up the: cudgels for his grandmother; but the younkers were too sharp for him, and finally he got into a passion, as people generally do who have the worst of an argument. This evening -- it was at their uncle's, an old crony of his with whom he had dined -- he bad taken a large portion of his usual beverage, and was quite riotous. He at last got up in a passion, ordered his horse, and, in spite of his host's entreaties, galloped off, although he had intended to have slept there, declaring that he would not have any thing more to do with a pair of jackanapes puppies, who, because they had learned how to read good-for-nothing hooks in cramp writing, and were taught by a parcel of wiggy, red-snouted, prating prigs, (&quot;not,&quot; added he, &quot;however, that I say a man may not be a good man and have a red nose,&quot;) they imagined they knew more than a man who had held buckle and tongue together facing the wind of the world for five dozen years.
</para>
<para>
He rode off in a fret, and galloped as hard as his horse Shaunbuie could powder away over the limestone. &quot; Damn it!&quot; hiccupped he, &quot; Lord pardon me for swearing! the brats had me in one thing -- I never did see a fairy; and I would give up five as good acres as ever grew apple-potatoes to get a glimpse of one -- and, by the powers! what is that?&quot;
</para>
<para>
He looked, and saw a gallant spectacle. His road lay by a noble demesne, gracefully sprinkled with trees, not thickly planted as in a dark forest, but disposed, now in clumps of five or six, now standing singly, towering over the plain of verdure around them, as a beautiful promontory arising out of the sea. He had come right opposite the glory of the wood. It was an oak, which in the oldest title-deeds of the county, and they were at least five hundred years old, was called the old oak of Ballinghassig. Age had hollowed its centre, but its massy boughs still waved with their dark serrated foliage. The moon was shining on it bright. If I were a poet, like Mr. Wordsworth, I should tell you how the beautiful light was broken into a thousand different fragments -- and how it. filled the entire tree with a glorious flood, bathing every particular leaf, and showing forth every particular bough; but, as I am not a poet, I shall go on with my story. By this light Jack saw a, brilliant company of lovely little forms dancing under the oak with an unsteady and rolling motion. The company was large. Some spread out far beyond the furthest boundary of the shadow of the oak's branches -- some were seen glancing through the flashes of light shining through its leaves -- some were barely visible, nestling under the trunk -- some no doubt were entirely concealed from his eyes. Never did man see any thing more beautiful. They were not three inches in height, but they were white as the driven snow, and beyond number numberless. Jack threw the bridle over his horse's neck, and drew up to the low wall which bounded the demesne, and leaning over it, surveyed, with infinite delight, their diversified gambols. By looking long at them, he soon saw objects which had not struck him at first; in particular that in the middle was a chief of superior stature, round whom the group appeared to move. He gazed so long that he was quite overcome with joy, and could not help shouting out, &quot; Bravo! little fellow,&quot; said he, well kicked and strong.&quot; But the instant he uttered the words the night was darkened, and the fairies vanished with the speed of lightning.
</para>
<para>
&quot;I wish,&quot; said Jack, &quot;I had held my tongue; but no matter now. I shall just turn bridle about and go back to Ballybegmullinahone Castle, and beat the young Master Whaleys, fine reasoners as they think themselves, out of the field clean.&quot;
</para>
<para>
No sooner said than done; and Jack was back again as if upon the wings of the wind. He rapped fiercely at the door, and called aloud for the two collegians.
</para>
<para>
&quot;Hallo!&quot; said he, &quot;young Flatcaps, come down now, if you dare. Come down, if you dare, and I shall give you oc-oc- ocular demonstration of the truth of what I was saying.&quot;
</para>
<para>
Old Whaley put his head out of the window, and said, &quot;Jack Mulligan, what brings you back so soon?&quot;
</para>
<para>
&quot;The fairies,&quot; shouted Jack; &quot;the fairies!&quot;
</para>
<para>
I am afraid,&quot; muttered the Lord of Ballybegmullinahone, &quot; the last glass you took was too little watered: but, no matter -- come in and cool yourself over a tumbler of punch.&quot;
</para>
<para>
He came in and sat down again at table. In great spirits he told his story ; -- how he had seen thousands and tens of thousands of fairies dancing about the old oak of Balllinghassig; he described their beautiful dresses of shining silver; their flat-crowned hats, glittering in the moonbeams; the princely stature and demeanour of the central figure. He added, that he heard them singing, and playing the most enchanting music; but this was merely imagination. The young men laughed, but Jack held his ground. &quot;Suppose, said one of the lads, &quot; we join company with you on the road, and ride along to the place, where you saw that fine company of fairies?&quot;
</para>
<para>
&quot;Done!&quot; cried Jack; &quot;but I will not promise that you will find them there, for I saw them scudding up in the sky like a flight of bees, and heard their wings whizzing through the air.&quot; This, you know, was a bounce, for Jack had heard no such thing.
</para>
<para>
Off rode the three, and came to the demesne of Oakwood. They arrived at the wall flanking the field where stood the great oak; and the moon, by this time, having again emerged from the clouds, shone bright as when Jack had passed. &quot;Look there,&quot; he cried, exultingly; for the same spectacle again caught his eyes, and he pointed to it with his horsewhip; &quot; look, and deny if you can. &quot;
</para>
<para>
&quot;Why,&quot; said one of the lads, pausing, &quot; true it is that we do see a company of white creatures; but were they fairies ten time~ over, I shall go among them;&quot; and he dismounted to climb over the wall.
</para>
<para>
&quot;Ah, Tom Tom;&quot; cried Jack, &quot; stop, man, stop! what are you doing? The fairies -- the good people, I mean -- hate to be meddled with. You will be pinched or blinded; or your horse will cast its shoe; or -- look! a wilful man will have his way. Oh! oh! he is almost at the oak -- God help him! for he is past the help of man.&quot;
</para>
<para>
By this time Tom was under the tree and burst out laughing. &quot;Jack,&quot; said he, &quot;keep your prayers to yourself. Your fairies are not bad at all. I believe they will make tolerably good catsup.&quot;
</para>
<para>
Catsup,&quot; said Jack, who when he found that the two lads (for the second had followed his brother) were both laughing in the middle of the fairies, had dismounted and advanced slowly -What do you mean by catsup?&quot;
</para>
<para>
&quot;Nothing,&quot; replied Tom, &quot; but that they are mushrooms (as indeed they were); and your Oberon is merely this overgrown puff-ball.&quot;
</para>
<para>
Poor Mulligan gave a long whistle of amazement, staggered back to his horse without saying a word, and rode home in a hard gallop, never looking behind him. Many a long day was it before he ventured to face the laughers at Ballybegmullinahone; and to the day of his death the people of the parish, aye, and five parishes round, called him nothing but Musharoon Jack, such being their pronunciation of mushroom.
</para>
<para>
I should be sorry if all my fairy stories ended with so little dignity; but -
</para>
<poem><verse><line>
&quot;These our actors, </line><line>
As I foretold you, were all spirits, and </line><line>
Are melted into air -- into thin air.&quot;
</line></verse></poem>
</chapter>

<chapter>
<chapheader>
<title>The Haunted Cellar</title>
</chapheader>
<para>
<emph>THERE</emph> are few people who have not heard of the Mac Carthies -- one of the real old Irish families, with the true Milesian blood running in their veins, as thick as buttermilk. Many were the clans of this family in the south; as the Mac Carthy-more -- and the Mac Carthy-reagh -- and the Mac Carthy of Muskerry; and all of them were noted for their hospitality to strangers, gentle and simple.
</para>
<para>
But not one of that name, or of any other, exceeded Justin Mac Carthy, of Ballinacarthy, at putting plenty to eat and drink upon his table; and there was a right hearty welcome for every one who would share it with him. Many a wine-cellar would be ashamed of the name if that at Ballinacarthy was the proper pattern for one; large as that cellar was, it was crowded with bins of wine, and long rows of pipes, and hogsheads, and casks, that it would take more time to count than any sober man could spare in such a place, with plenty to drink about him, and a hearty welcome to do so.
</para>
<para>
There are many, no doubt, who will think that the butler would have little to complain of in such a house; and the whole country round would have agreed with them, if a man could be found to remain as Mr. Mac Carthy's butler for any length of time worth speaking of; yet not one who had been in his service gave him a bad word.
</para>
<para>
&quot;We have no fault,&quot; they would say, &quot;to find with the master, and if he could but get any one to fetch his wine from the cellar, we might every one of us have grown gray in the house, and have lived quiet and contented enough in his service until the end of our days.&quot;
</para>
<para>
&quot;'Tis a queer thing that, surely,&quot; thought young Jack Leary, a lad who had been brought up from a mere child in the stables of Ballinacarthy to assist in taking care of the horses, and had occasionally lent a hand in the butler's pantry : -- &quot; 'tis a mighty queer thing, surely, that one man after another cannot content himself with the best place in the house of a good master, but that every one of them must quit, all through the means, as they say, of the wine-cellar. If the master, long life to him I would but make me his butler, I warrant never the word more would be heard of grumbling at his bidding to go to the wine-cellar.&quot;
</para>
<para>
Young Leary accordingly watched for what he conceived to be a favourable opportunity of presenting himself to the notice of his master.
</para>
<para>
A few mornings after, Mr. Mac Carthy went into his stable-yard rather earlier than usual, and called loudly for the groom to saddle his horse, as he intended going out with the hounds. But there was no groom to answer, and young Jack Leary led Rainb